Delusion; or, The Witch of New EnglandLee, Eliza Buckminster
History
Delusion; or, The Witch of New England
Lee, Eliza Buckminster
Paranormal fiction; Salem (Mass.) -- History -- Colonial period, ca. 1600-1775 -- Fiction; Witchcraft -- New England -- Fiction
Edith was fascinated by this beautiful picture. Who was she? where did
she live? what was her fate? were questions hovering on her lips, which
she dared not ask of the stately lady on the couch; but, as she stood
riveted before it, "O that I had such a friend!" passed through her
mind; and, like inexperienced and enthusiastic youth, she thought how
fondly she could have loved her, and, if it were necessary, have
sacrificed her own life for hers.
Lady C---- observed her fixed attention.
"That is a portrait of the Lady Ursula," she said, "who built this
house, and brought over from England the fruits and flowers of the
garden. Alas! they are now much wasted and destroyed."
At this moment, the old negro appeared, to say that the dinner was
served.
They passed into another low room, in the centre of which was a long
oaken dining-table, the upper end raised two steps higher than the
lower, and the whole was fixed to the floor. At this time, the upper end
only was covered with a rich damask cloth, where the lady and her guests
took their seats; the other half of the table extending bare beneath
them.
"In this chair, and at this table, the Lady Ursula was wont to dine with
her maidens and serving-men," said Lady C----, as she took her seat in a
high-backed, richly-carved chair of oak; "and I have retained the
custom, though my serving-men are much reduced;" and she glanced her eye
on the trembling old negro.
Edith thought how dreary it must be to dine there in solitary state,
with no one to speak to except the old negro, and she cast a pitying
look around the apartment.
A beauffet was in one corner, well filled with massive plate, and the
walls were adorned with pictures in needle-work, framed in dark ebony.
The picture opposite Edith was much faded and defaced, but it was meant
to represent Abraham offering his son Isaac in sacrifice.
"It was the work of the Lady Ursula's fingers," said Lady C----, "as
every thing else you see here was created by her."
"Is she now living?" asked Edith, very innocently.
"Alas! no, my dear; hers was a sad fate; but her story is too long for
the dining hour;" and as dinner was soon over, they returned to the
other apartment.
Edith longed for a ramble in the garden. When she returned, the horses
were at the door, and she took a reluctant leave, for she had not heard
the story of the Lady Ursula.
As soon as they had turned their horses' heads outside the iron gate,
Edith began her eager questions:
"Who was that beautiful woman, the original of the portrait? Where did
she live? How did she die? What was her fate?" Her father smiled, and
related the following particulars, which deserve another chapter.
CHAPTER VII.
"Loveliest of lovely things are they
On earth, that soonest pass away.
Even love, long tried, and cherished long,
Becomes more tender, and more strong,
At thought of that insatiate grave
From which its yearnings cannot save.
Public-domain text, read in full here on John Shaqi.
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