Delusion; or, The Witch of New England — John Shaqi
Delusion; or, The Witch of New EnglandLee, Eliza Buckminster
History
Delusion; or, The Witch of New England
Lee, Eliza Buckminster
Paranormal fiction; Salem (Mass.) -- History -- Colonial period, ca. 1600-1775 -- Fiction; Witchcraft -- New England -- Fiction
The color rushed to Edith's pale cheek, as she silently gave him her
hand; but she felt a calmness which she could not herself understand. A
change had been wrought in her character by that nightly death-bed, and
by four days of lonely sorrow. She felt that she must rely on herself.
The changes that are wrought by sorrow and reflection in a timid woman
are not less apparent than those wrought by love. They seem, at first,
to take from the exquisite feminineness of the character, but they bring
out the latent beauty and strength of her spiritual nature. It is said
"that every wave of the ocean adds to the beauty of the pearl, by
removing the scum that reveals its interior and mysterious light." It is
thus with time and sorrow: they reveal to ones self the inward pearl
beyond all price, on which we must forever rely to guide us.
The oldest of the parishioners now approached, to bear their beloved
pastor on their shoulders to the silent grave-yard. The ceremonial of a
country burial is extremely simple, but they had then an affecting
custom which has since been discontinued. As they bore the body to the
grave, they sang an anthem, and, as it entered the little enclosure, the
groups on each side receded, and uncovered their heads. The boys were
hushed to awe, as the anthem rose on the evening air; the sun sank
behind the forest, and its last rays were reflected from the grave of
this servant of God.
The exquisite beauty of the scene oppressed and wearied Edith as she
returned to her solitary home. She felt that though nature may
sympathize with our joy, there is nothing in her bosom that responds to
our sorrow.
But she did not return alone: Seymore had followed her; and, as they
entered the deserted room, her father's arm-chair was in its accustomed
place: even his slippers had been accidentally placed ready for him. The
curtain had been removed from her mother's picture, and as she
approached it, she met its pitying eyes fixed upon her. The unnatural
tension of the nerves, which had denied her, for the last four days, the
relief of tears, gave way, and the very fountains of her soul seemed
opened. She sank down on a chair, and yielded to the overwhelming
emotion.
There are states of the mind when the note of a bird, the fall of a
leaf, the perfume of a flower, will unlock the bars of the soul, as the
smallest sound will loosen the avalanche. The unexpected sight of her
mother's picture had overpowered Edith. O that we should receive a
mother's love in infancy, when we cannot value or understand it; and, in
after life, when we need it most, when we long for the heart that has
cherished us, "we must go back to some almost forgotten grave," where
that warm heart lies that loved us as no other will ever love us.
Seymore was terrified: he had never seen grief like this, and he walked
the room with rapid and agitated steps.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account