Among the multitude of Russians who throng around Demetrius in Tula
appears a man whom he at once recognizes; he is greatly delighted to see
him. He bids all the rest withdraw, and so soon as he is alone with this
man he thanks him, with full heart, as his preserver and benefactor.
This person hints that Demetrius is under especial obligations to him,
and to a greater extent than he is himself aware. Demetrius urges him to
explain, and the assassin of the genuine Demetrius thereupon discloses
the real facts of the case. For this murder he had received no
recompense, but on the contrary had nothing but death to anticipate from
Boris. Thirsting for revenge, he stumbled upon a boy, whose resemblance
to the Czar Ivan struck him. This circumstance must be turned to
account. He seized the boy, fled with him from Uglitsch, brought him to
a monk, whom he succeeded in gaining over for his ends, and delivered to
him the trinkets which he had himself taken from the murdered Demetrius.
By means of this boy, whom he had never lost sight of, and whose steps he
had attended upon all occasions without being observed, he is now
revenged. His tool, the false Demetrius, rules over Russia in Boris'
room.
During this narration a mighty change comes over Demetrius. His silence
is awful. In the moment of the highest rage and despair, the assassin
drives him to the extreme of endurance, when with a defying and insolent
air he demands his reward. Demetrius strikes him to the earth.
Soliloquy of Demetrius. Internal conflict; but the feeling of the
necessity for maintaining his position as Czar is triumphant.
The delegates from Moscow arrive, and submit themselves to Demetrius.
They are received gloomily, and with a menacing demeanor. Among them is
the Patriarch. Demetrius deposes him from his dignity, and soon
afterwards sentences to death a Russian of rank, who had questioned the
authenticity of his birth.
MARFA and OLGA await Demetrius under a magnificent tent. Marfa speaks of
the approaching interview with more doubt and fear than hope, and
trembles as the moment draws near which should assure her highest
happiness. Olga speaks to her, herself without faith. During the long
journey they have both had time to recall the whole circumstances; the
first exultation had given place to reflection. The gloomy silence and
the repulsive glances of the guards who surround the tent serve still
further to augment their despondency.
The trumpets sound. Marfa is irresolute whether she shall advance to
meet Demetrius. Now he stands before her alone. The little that was
left of hope in her heart altogether vanishes on seeing him. An unknown
something steps between them--Nature does not speak--they are separated
forever. The first impulse is an endeavor to approach; Marfa is the
first to make a movement to recede. Demetrius observes it, and remains
for a moment paralyzed. Significant silence.
DEMETRIUS. Does thy heart say nothing? Dost thou not recognize thy
blood in me?
Public-domain text, read in full here on John Shaqi.
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