The family logically consented to give her up at her marriage, when she was enlarging the family tie by founding another family. It was easy to understand that they permitted and even promoted her going to college, travelling in Europe, or any other means of self-improvement, because these merely meant the development and cultivation of one of its own members. When, however, she responded to her impulse to fulfil the social or democratic claim, she violated every tradition. The mind of each one of us reaches back to our first struggles as we emerged from self-willed childhood into a recognition of family obligations. We have all gradually learned to respond to them, and yet most of us have had at least fleeting glimpses of what it might be to disregard them and the elemental claim they make upon us. We have yielded at times to the temptation of ignoring them for selfish aims, of considering the individual and not the family convenience, and we remember with shame the self-pity which inevitably followed. But just as we have learned to adjust the personal and family claims, and to find an orderly development impossible without recognition of both, so perhaps we are called upon now to make a second adjustment between the family and the social claim, in which neither shall lose and both be ennobled. The attempt to bring about a healing compromise in which the two shall be adjusted in proper relation is not an easy one. It is difficult to distinguish between the outward act of him who in following one legitimate claim has been led into the temporary violation of another, and the outward act of him who deliberately renounces a just claim and throws aside all obligation for the sake of his own selfish and individual development. The man, for instance, who deserts his family that he may cultivate an artistic sensibility, or acquire what he considers more fulness of life for himself, must always arouse our contempt. Breaking the marriage tie as Ibsen's "Nora" did, to obtain a larger self-development, or holding to it as George Eliot's "Romola" did, because of the larger claim of the state and society, must always remain two distinct paths. The collision of interests, each of which has a real moral basis and a right to its own place in life, is bound to be more or less tragic. It is the struggle between two claims, the destruction of either of which would bring ruin to the ethical life. Curiously enough, it is almost exactly this contradiction which is the tragedy set forth by the Greek dramatist, who asserted that the gods who watch over the sanctity of the family bond must yield to the higher claims of the gods of the state. The failure to recognize the social claim as legitimate causes the trouble; the suspicion constantly remains that woman's public efforts are merely selfish and captious, and are not directed to the general good. This suspicion will never be dissipated until parents, as well as daughters, feel the democratic impulse and