A college in the State of Ohio has adopted for its motto the words
'Orient thyself.' This significant admonition to Western youth
represents one condition of attaining truth in the science of
mythology. Through neglect of it the glowing personifications and
metaphors of the East have too generally migrated to the West only to
find it a Medusa turning them to stone. Our prosaic literalism changes
their ideals to idols. The time has come when we must learn rather to
see ourselves in them: out of an age and civilisation where we live in
habitual recognition of natural forces we may transport ourselves to a
period and region where no sophisticated eye looks upon nature. The sun
is a chariot drawn by shining steeds and driven by a refulgent deity;
the stars ascend and move by arbitrary power or command; the tree is
the bower of a spirit; the fountain leaps from the urn of a naiad. In
such gay costumes did the laws of nature hold their carnival until
Science struck the hour for unmasking. The costumes and masks have
with us become materials for studying the history of the human mind,
but to know them we must translate our senses back into that phase
of our own early existence, so far as is consistent with carrying
our culture with us.
Without conceding too much to Solar mythology, it may be pronounced
tolerably clear that the earliest emotion of worship was born out
of the wonder with which man looked up to the heavens above him. The
splendours of the morning and evening; the azure vault, painted with
frescoes of cloud or blackened by the storm; the night, crowned with
constellations: these awakened imagination, inspired awe, kindled
admiration, and at length adoration, in the being who had reached
intervals in which his eye was lifted above the earth. Amid the rapture
of Vedic hymns to these sublimities we meet sharp questionings whether
there be any such gods as the priests say, and suspicion is sometimes
cast on sacrifices. The forms that peopled the celestial spaces may
have been those of ancestors, kings, and great men, but anterior to
all forms was the poetic enthusiasm which built heavenly mansions for
them; and the crude cosmogonies of primitive science were probably
caught up by this spirit, and consecrated as slowly as scientific
generalisations now are.
Public-domain text, read in full here on John Shaqi.
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