But neither in the Book of Job, which we are yet to consider, nor in any other variation of the theme, does it rise so high as in this drama of Harischandra. In Job it represents man loyal to his deity amid the terrible afflictions which that deity permits; but in Harischandra it shows man loyal to a moral principle even against divine orders to the contrary. Despite the hand of the licenser, and the priestly manipulations, visible here and there in it--especially towards the close--sacerdotalism stands confronted by its reaction at last, and receives its sentence in the joy with which the Hindu sees the potent Rishis with all their pretentious 'merits,' and the gods themselves, kneeling at the feet of the man who stands by Truth. It is amusing to find the wincings of the priests through many centuries embodied in a legend about Harischandra after he went to heaven. It is related that he was induced by Nárada to relate his actions with such unbecoming pride that he was lowered from Svarga (heaven) one stage after each sentence; but having stopped in time, and paid homage to the gods, he was placed with his capital in mid-air, where eyes sacerdotally actinised may still see the aerial city at certain times. The doctrine of 'merits' will no doubt be able for some time yet to charge 'good deeds' with their own sin--pride; but, after all, the priest must follow the people far enough to confess that one must look upward to find the martyr of Truth. In what direction one must look to find his accuser requires no further intimation than the popular legend of Viswámitra. CHAPTER V. ELOHIM AND JEHOVAH. Deified power--Giants and Jehovah--Jehovah's manifesto--The various Elohim--Two Jehovahs and two Tables--Contradictions--Detachment of the Elohim from Jehovah.