Let us trace rapidly the history of Derues’ early years, effaced and
forgotten in the notoriety of his death. These few pages are not written
for the glorification of crime, and if in our own days, as a result of
the corruption of our manners, and of a deplorable confusion of all
notions of right and wrong, it has been sought to make him an object; of
public interest, we, on our part, only wish to bring him into notice,
and place him momentarily on a pedestal, in order to cast him still
lower, that his fall may be yet greater. What has been permitted by God
may be related by man. Decaying and satiated communities need not be
treated as children; they require neither diplomatic handling nor
precaution, and it may be good that they should see and touch the
putrescent sores which canker them. Why fear to mention that which
everyone knows? Why dread to sound the abyss which can be measured by
everyone? Why fear to bring into the light of day unmasked wickedness,
even though it confronts the public gaze unblushingly? Extreme turpitude
and extreme excellence are both in the schemes of Providence; and the
poet has summed up eternal morality for all ages and nations in this
sublime exclamation:
“Abstulit hunc tandem Rufini poem tumultum.”
Besides, and we cannot insist too earnestly that our intention must not
be mistaken, if we had wished to inspire any other sentiment than that
of horror, we should have chosen a more imposing personage from the
annals of crime. There have been deeds which required audacity, a sort
of grandeur, a false heroism; there have been criminals who held in
check all the regular and legitimate forces of society, and whom one
regarded with a mixture of terror and pity. There is nothing of that in
Derues, not even a trace of courage; nothing but a shameless cupidity,
exercising itself at first in the theft of a few pence filched from the
poor; nothing but the illicit gains and rascalities of a cheating
shopkeeper and vile money-lender, a depraved cowardice which dared not
strike openly, but slew in the dark. It is the story of an unclean
reptile which drags itself underground, leaving everywhere the trail of
its poisonous saliva.
Such was the man whose life we have undertaken to narrate, a man who
represents a complete type of wickedness, and who corresponds to the
most hideous sketch ever devised by poet or romance-writer: Facts
without importance of their own, which would be childish if recorded of
anyone else, obtain a sombre reflection from other facts which precede
them, and thenceforth cannot be passed over in silence. The historian is
obliged to collect and note them, as showing the logical development of
this degraded being: he unites them in sequence, and counts the
successive steps of the ladder mounted by the criminal.
Public-domain text, read in full here on John Shaqi.
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