And now we will concern ourselves no more with the unravelling of this
tissue of imposition; we will wander no longer in this labyrinth of
fraud, of low and vile intrigue, of dark crime of which the clue
disappears in the night, and of which the trace is lost in a doubtful
mixture of blood and mire; we will listen no longer to the cry of the
widow and her four children reduced to beggary, to the groans of obscure
victims, to the cries of terror and the death-groan which echoed one
night through the vaults of a country house near Beauvais. Behold other
victims whose cries are yet louder, behold yet other crimes and a
punishment which equals them in terror! Let these nameless ghosts, these
silent spectres, lose themselves in the clear daylight which now
appears, and make room for other phantoms which rend their shrouds and
issue from the tomb demanding vengeance.
Derues was now soon to have a chance of obtaining immortality. Hitherto
his blows had been struck by chance, henceforth he uses all the
resources of his infernal imagination; he concentrates all his strength
on one point—conceives and executes his crowning piece of wickedness. He
employs for two years all his science as cheat, forger, and poisoner in
extending the net which was to entangle a whole family; and, taken in
his own snare, he struggles in vain; in vain does he seek to gnaw
through the meshes which confine him. The foot placed on the last rung
of this ladder of crime, stands also on the first step by which he
mounts the scaffold.
About a mile from Villeneuve-le-Roi-les-Sens, there stood in 1775 a
handsome house, overlooking the windings of the Yonne on one side, and
on the other a garden and park belonging to the estate of Buisson-Souef.
It was a large property, admirably situated, and containing productive
fields, wood, and water; but not everywhere kept in good order, and
showing something of the embarrassed fortune of its owner. During some
years the only repairs had been those necessary in the house itself and
its immediate vicinity. Here and there pieces of dilapidated wall
threatened to fall altogether, and enormous stems of ivy had invaded and
stifled vigorous trees; in the remoter portions of the park briers
barred the road and made walking almost impossible. This disorder was
not destitute of charm, and at an epoch when landscape gardening
consisted chiefly in straight alleys, and in giving to nature a cold and
monotonous symmetry, one’s eye rested with pleasure on these neglected
clumps, on these waters which had taken a different course to that which
art had assigned to them, on these unexpected and picturesque scenes.
Public-domain text, read in full here on John Shaqi.
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