Short stories; United States -- Social life and customs -- 19th century -- Fiction
“Pretend not to see them; keep on dancing,” he hissed in her ear. He had
no distinct plan in what he said, but spoke merely from an instinct of
self-preservation, which told him that when they stopped, the Indians
would be upon them. But as she mechanically, and really more dead
than alive, obeyed his direction and resumed the dance, and he in his
excitement was treading on her feet at every step, the thought flashed
upon him that there was a bare chance of escaping violence, if they
could keep the Indians interested without appearing to notice their
presence. In successive whispers he communicated his idea to Miss Dyer:
“Don't act as if you saw them at all, but do everything as if we were
alone. That will puzzle them, and make them think us supernatural
beings, or perhaps crazy: Indians have great respect for crazy people.
It's our only chance. We will stop dancing now, and sing awhile. Give
them a burlesque of opera. I 'll give you the cues and show you how.
Don't be frightened. I don't believe they 'll touch us so long as we act
as if we did n't see them. Do you understand? Can you do your part?”
“I understand; I 'll try,” she whispered.
“Now,” he said, and as they separated, he threw his hat on the ground,
and, assuming an extravagantly languishing attitude, burst forth in a
most poignant burlesque of a lovelorn tenor's part, rolling his eyes,
clasping his hands, striking his breast, and gyrating about Miss
Dwyer-in the most approved operatic style. He had a fine voice and knew
a good deal of music; so that, barring a certain nervousness in the
performer, the exhibition was really not bad. In his singing he had used
a meaningless gibberish varied with the syllables of the scale, but he
closed by singing the words, “Are you ready now? Go ahead, then.”
With that she took it up, and rendered the prima donna quite as
effectively, interjecting “The Last Rose of Summer” as an aria in a
manner that would have been encored in San Francisco. He responded with
a few staccato notes, and the scene ended by their rushing into each
other's arms and waltzing down the stage with abandon.
The Indians sat motionless on their horses, not even exchanging comments
among themselves. They were evidently too utterly astonished by the
goings on before them to have any other sentiment as yet beyond pure
amazement. Here were two richly-dressed pale-faces, such as only lived
in cities, out in the middle of an uninhabitable desert, in the freezing
midnight, having a variety and minstrel show all to themselves, and, to
make the exhibition the more unaccountable, without apparently seeing
their auditors at all. Had they started up the show after being
captured, Indian cunning would have recognized in it a device to save
their lives, but the two had been at it before the party rode up,--
had, in fact, first attracted attention by their gyrations, which were
visible for miles out on the moony plain.
Public-domain text, read in full here on John Shaqi.
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