Design and Tradition: A short account of the principles and historic development of architecture and the applied artsFenn, Amor
History
Design and Tradition: A short account of the principles and historic development of architecture and the applied arts
Fenn, Amor
Architecture; Art; Decoration and ornament; Decoration and ornament -- History
The Olive, sacred to Pallas Athenē, was anciently a symbol of peace,
an olive twig in the hands of kings, as represented on medals indicating
a peaceful reign. The Palm also symbolised Victory, and in Christian Art
is generally borne by the martyr--indicating victory over Death. The
Lily--which, according to tradition, sprang from the repentant tears of
Eve as she went forth from Paradise--is the emblem of Chastity,
Innocence and Purity and is associated with representations of the
Virgin. The Daffodil or Lenten Lily, which it was customary to plant on
graves, was once white, the tradition being that Persephone, daughter of
Demeter, delighted to wander about the flowering meads of Sicily. One
springtime she tripped over the meadows, wreathed her head with wild
lilies and, throwing herself on the leaves, fell asleep. Pluto, god of
the infernal regions, fell in love with her and carried her to the
nether world. At his touch the white flowers changed to a golden yellow.
In Christian Art the apple is symbolical of the fall of man, and
represents original sin; the rose symbolises Christian ecstacy, the
Pomegranate (generally burst open with the seeds displayed) is the
symbol of the future life and immortality. The vine and ears of corn are
symbols of Christ, and the Wine-press an emblem of the Passion.
The Passion-flower is emblematical of the Crucifixion--the leaf
symbolising the spear; the anthers, the five wounds; the tendrils, cords
or whips; the column or oviary, the hammer; the three styles, nails;
the fleshy threads within the flower the crown of thorns, and the calyx,
the nimbus. The white tint indicates “purity,” the blue “Heaven,” and
the flower keeping open three days symbolises the three years’ ministry.
_Sacred Animals_
Animals were also dedicated to special deities, the wolf, gryffon and
crow being sacred to Apollo; the dragon and panther to Bacchus; the stag
to Diana; the serpent to Æsculapius; the deer to Hercules; the heifer to
Isis; the eagle to Jupiter; the peacock and lamb to Juno; the dog to the
Lares; the horse and vulture to Mars; the cock to Mercury; the owl to
Minerva; the bull to Neptune; the dove, swan and sparrow to Venus; and
the lion to Vulcan.
The lion also is the emblem of the tribe of Judah and is symbolical of
the Resurrection. According to tradition the lion whelp is born dead,
and so remains for three days, when the father breathes on it and it
receives life.
_Evangelist Symbols_
Mark, the Evangelist, is symbolised by a lion, because he begins his
gospel with the scene of John the Baptist and Jesus in the Wilderness.
Matthew, whose gospel commences with the humanity of Jesus as a
descendant of David, is the only one of the Evangelists represented as a
man.
Luke is symbolised by a bull or calf, and John by an eagle--the former
because his gospel opens with the priests sacrificing in the Temple,
and the latter because he soars high and begins his gospel with the
divinity of the Logos.
Public-domain text, read in full here on John Shaqi.
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