Design and Tradition: A short account of the principles and historic development of architecture and the applied artsFenn, Amor
History
Design and Tradition: A short account of the principles and historic development of architecture and the applied arts
Fenn, Amor
Architecture; Art; Decoration and ornament; Decoration and ornament -- History
The military class established for protective reasons would be dependent
upon the general community for their upkeep, thus imposing taxation on
the various workers, and necessitating a system of government and of
officials for effective collection and distribution. Social
distinctions would be drawn between the various classes, governing,
administrative, military, and non-combatant; the latter would furnish
the bulk of the workers and be further divided into craftsmen,
agriculturists and traders.
In process of time from the executive class would develop the nobility,
priestly and legal classes.
_Influence_
Art was originally local, that is, confined to the community, but later
was subjected to various influences--Political, Religious, and
Commercial.
Political, by treaty or intermarriage, when imported taste or
interchange would result, or by conquest.
Judging by the past, the conquered have invariably imposed their taste
on their conquerors, as instanced in the Greek conquest of Persia; that
of the Romans of the Greeks, and later the perpetuation of the Roman
influence after their subjugation at the hands of the Goths.
The Crusades resulted in the importation of fabrics of Eastern and
Sicilian origin, and may be classed as a religious influence; an earlier
example of which may be cited in the edict of Pope Leo III in A.D. 726
in response to the iconoclastic movement, by reason of which the
Byzantine art workers, deprived of their living, emigrated to the Rhine
district.
_Commercial Intercourse._
The establishment of commercial intercourse had great influence on the
arts, and did much to modify local character, as it was found necessary
to study market conditions in order to secure sales; and goods were
therefore made to suit foreign requirements and taste, thereby resulting
in confusion and difficulty in defining the original source.
[Illustration: No. 3. 14th Century Textile showing Heraldic influence.]
Notable, for instance, were the Sicilian weavers, who, contrary to their
local traditions, introduced heraldry into the patterns of their
fabrics, so as to conform to the taste of the crusaders.
The Phœnicians were the early merchant adventurers, and traded in
work of Tyrian and Sidonian production with remote parts of Europe,
taking back local produce in exchange. Later on, through the medium of
the Hanseatic league, brass work from Flanders and cast-iron fire-backs
from Sussex were distributed through-out the area of their operations;
of which surviving examples demonstrate that local taste and requirement
were considered and embodied.
_Effect on Design_
Apart from this cause of loss in local character, Art production was
further influenced by the rise in social position of the worker.
When the craftsman remained the sole factor, his design and work was
invariably true to materialistic conditions; but with increasing
emolument incidental to appreciation and patronage, the designer emerged
as a professional.
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