Design and Tradition: A short account of the principles and historic development of architecture and the applied arts — John Shaqi
Design and Tradition: A short account of the principles and historic development of architecture and the applied artsFenn, Amor
History
Design and Tradition: A short account of the principles and historic development of architecture and the applied arts
Fenn, Amor
Architecture; Art; Decoration and ornament; Decoration and ornament -- History
_The Arch_
[Illustration: No. 6. A. Structural Arch. B. Arch appearance, result of
cutting away.]
The principle of the Arch depends upon the separate pieces of material
being formed to a wedge shape, the joints corresponding to radial lines
drawn through the centre from which the Arch curve is struck.
The weak part of the Lintel is the centre of the span which may have a
tendency to give way under pressure, but the wedged construction of the
Arch renders the centre strong enough to bear the imposed weight.
In contrast with the Lintel, material of small size could be employed,
not only stone, but brick being used in Arch construction.
[Illustration: No. 7. Section of Gothic Vault showing courses of stone
and centering.]
The Lintel, in relatively small spans, is sometimes composed of separate
small stones, shaped to fit each other in the form of Joggled joints.
[Illustration: No. 8.
A. Lintel in one piece.
B. C. D. Various forms of Joggled joints.]
[Illustration: No. 9. Gothic Vaulting showing intersecting ribs forming
framework of structure.]
The outward and manifest appearance suggests to the lay observer a
striking divergence in the style known as Gothic from the Roman manner
of building; but the main difference is in proportion and treatment of
detail, the underlying principle being much the same. The use of the
Arch and vaulting was common to both, but in the Gothic development
greater strength was obtained, with even greater economy of material.
The archivolts and intersecting ribs of vaults, with their supports,
literally formed the bones of the building, constituting a framework to
which the bays of walls and roofing were only a matter of filling in.
In the words of Mr. C. H. Moore, in his work on “Development and
Character of Gothic Architecture”--“the Gothic style developed into a
system where stability depends not upon any inert massiveness except in
the outermost abutments, but upon a logical adjustment of active parts
whose opposing forces produce a perfect equilibrium. It is thus a system
of balanced thrusts, as opposed to the former system of inert
stability.”
_Egyptian_
The Egyptian buildings, in common with those of Palestine, were
frequently of mud, strengthened by wattle or reeds interwoven, evidence
of which is apparent in later incised decoration. Buildings were also of
sun-baked bricks, those of an important character being faced with
stone; the exteriors of these latter were simple and severe, the walls
being slightly tapered and surmounted by a simple cove cornice, with
gateways and entrances of massive form.
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