Design and Tradition: A short account of the principles and historic development of architecture and the applied arts — John Shaqi
Design and Tradition: A short account of the principles and historic development of architecture and the applied artsFenn, Amor
History
Design and Tradition: A short account of the principles and historic development of architecture and the applied arts
Fenn, Amor
Architecture; Art; Decoration and ornament; Decoration and ornament -- History
The ornament was extremely conventional, that on capitals, crockets and
other free positions consisting of crisply curling trefoil or
cinquefoil groups of lobes having little resemblance to natural type.
The later windows became more elaborate in the tracery, which was
essentially geometric, and further elaborated by cusping. Triforium
arches and canopy heads being similar in design.
[Illustration: No. 59. Early pointed Gothic Capital.]
[Illustration: No. 60. Pointed Gothic tracery Windows. A. Ely Cathedral.
B. Meophan Church, Kent.]
The central tower, which was common in the Romanesque, developed into
the spire, which was carried to a great height; the lower part
occasionally pierced with openings for purpose of interior lighting,
forming the lantern.
_Decorated Gothic_
The principal characteristics of the Decorated period are the form of
the Arch, the elimination of detached shafts and the enlarged clerestory
with increased lighting area.
The Arch, when used structurally, was still of the simple pointed form,
but in small windows, niches and canopies, the shape at the head became
ogival and the tracery displays considerable license as compared with
that of the preceding phase.
[Illustration: No. 61. Early pointed Gothic Spire, Warmington.]
[Illustration: No. 62. Decorated Gothic Windows. A. Merton College,
Oxford. B. Cathedral, Oxford.]
Mouldings were shallower as contrasted with the undercut hollows of the
earlier period; in many instances the arch mouldings were merely a
continuation of those of the supporting piers, which took the place of
the earlier detached shafts.
The greatest innovation occurs in the foliage, in which natural
suggestion is evident, adapted with considerable freedom, and skilful in
execution.
[Illustration: No. 63. Decorated Gothic Carving, Chancel screen,
Southwell Minster.]
In the preceding style the foliage of the capitals invariably sprung
from the necking, in simple firm curves, revealing the underlying
bell-shape. In the Decorated period the foliage generally wreaths round
the structural form, the detail being frequently deeply pierced and cut
away at the back till it was almost detached, giving an extremely rich
effect.
Diaper detail of pateræ, or foliage arranged in squares, occurs in the
spandrils between arches.
[Illustration: No. 64. Decorated Gothic Mouldings.]
[Illustration: Nos. 65 & 66. Decorated Gothic Capitals, leaves deeply
undercut and wreathed round bell.]
A distinct feature of this period and of the succeeding Perpendicular
style, is the battlement, which was used in all suitable positions
either as a parapet or as a cresting. The Decorated variety differs from
the later, in that the moulded edges only appear horizontally, whereas
in the Perpendicular period the moulded edge is continuous, being
carried round the angles of the battlement.
Externally the spire gave place to the tower with culminating lantern.
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