Design and Tradition: A short account of the principles and historic development of architecture and the applied artsFenn, Amor
History
Design and Tradition: A short account of the principles and historic development of architecture and the applied arts
Fenn, Amor
Architecture; Art; Decoration and ornament; Decoration and ornament -- History
To sum up a simple classification, which may be termed the triology of
the orders, will be found to assist the memory.
The Orders commonly employed are three--the Doric, Ionic and Corinthian.
(There are two others which are less used, and are really derived from
the other three: they are the Tuscan, which is a form of debased Doric,
and the Composite, which is made up of the Ionic and Corinthian).
The Order may be divided into three parts:
Pedestal, Column and Entablature.
These may again be sub-divided.
The Pedestal into Plinth, Die and Capping.
The Column into Base, Shaft and Capital.
The Entablature into Architrave, Frieze and Cornice.
The method of arriving at the proportions of the order is as follows. In
this division the pedestal is not taken into account, but is reserved
for later consideration.
_Doric Order_
Divide the total height into five equal parts. Then the upper fifth will
give the height of the entablature and an eighth of the remaining
four-fifths the diameter of the column. From this it will be seen that
the column is eight diameters high and the entablature two diameters. In
using the term diameter it must be understood that it is always the
lower diameter of the column that is referred to.
[Illustration: No. 154. General Proportions of the Orders.]
The capital is half a diameter high exclusive of the necking moulding,
and the base also is half a diameter. In all the orders the column is
tapered; the upper diameter is in each case five-sixths of the lower or
major diameter. The taper is not in a straight line, but a slight
curve, which is known as entasis. It is obtained by drawing the lower
third of the shaft vertical and from these lines springing a curve to
the upper diameter, which may readily be done by slightly altering the
angle of the pencil in ruling them.
The entablature is divided as follows: the architrave is half a
diameter, the frieze and cornice each three-quarters of a diameter.
_Ionic Order_
The total height should be divided into six parts. Then the upper sixth
will be the entablature, and one ninth of the remainder the diameter of
the column, hence the column will be nine diameters high.
The capital is half a diameter high; the base also is half a diameter.
The total height of the entablature is divided into ten parts, three of
these should be taken as the height of the architrave, three that of the
frieze and the remaining four that of the cornice.
_Corinthian Order_
The total height should be divided into six parts. Then the upper sixth
is the height of the entablature. A tenth of the remainder will be the
diameter of the column.
The capital is one diameter and one-sixth in height exclusive of the
necking moulding, and the base is half a diameter high, exclusive of the
top fillet.
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