Design and Tradition: A short account of the principles and historic development of architecture and the applied artsFenn, Amor
History
Design and Tradition: A short account of the principles and historic development of architecture and the applied arts
Fenn, Amor
Architecture; Art; Decoration and ornament; Decoration and ornament -- History
At the top there is a fillet and a bold ovolo, below which there is a
bead-moulding or small torus with fillet and two facias. The lower
facia, which is of slight projection is one-fourth of the total height.
The upper facia and fillet are half the remainder.
[Illustration: No. 168. Detail of Archivolts and Imposts.]
_Archivolt_
The archivolt mouldings are in the Doric order, the same as those of the
impost.
_Ionic Impost_
The total height of half a diameter may be divided into two, and the
upper half sub-divided into three. Then the upper division will be the
height of the top fillet and a reversa moulding; the second the height
of a facia and the third an ovolo and small torus.
The lower half of the impost consists of two facias, the upper of which
is broader than the lower.
_Ionic Archivolt_
The archivolt, commencing at the outer rim, consists of a fillet and
bold reversa moulding which occupies rather less than a fourth of the
total width, and two facias of unequal widths. The width of the inner
facia is nearly one-third more than that of the reversa moulding.
_Corinthian Impost_
The Corinthian impost differs from those of the other two orders in
having a necking and necking moulding in place of the two unequal
facias.
The total height should be divided into two, and the upper half divided
into four. Then the top fillet and reversa moulding will be one of these
divisions, the facia two, and the supporting ovolo will occupy the
remaining one.
The lower half of the impost consists of a small torus and fillet
beneath the ovolo, the necking, and the torus and fillet which form the
necking moulding.
_Corinthian Archivolt_
The archivolt, commencing at the outer rim, consists of a fillet and
reversa and three unequal facias.
If the total width is divided into two, the point of bisection will be
the centre of a small reversa moulding between the two outer facias. The
outer reversa and the inner facia are each about one-sixth of the total
width and the small reversa is about two-thirds of the inner facia.
_The Keystone_
A projecting block, or keystone, is sometimes used at the centre of the
arch. The face width of its lowest edge should not be less than the
width of the archivolt. Its height is not often less than one and a half
times or more than twice this width.
It may be decorated in various ways, and is frequently in the shape of a
console. This form is especially suitable when the keystone comes in
contact with the architrave of the entablature, in which case it is
capped with a moulded abacus.
_The Pedestal_
The height of the pedestal is a fourth that of the column and
entablature together, though this proportion may be varied to suit
different conditions. For instance, when the pedestal forms part of the
structure of a balcony or balustrading the height must be modified to
suit the special requirements of the position.
The pedestal is composed of plinth, die and capping.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account