Design and Tradition: A short account of the principles and historic development of architecture and the applied artsFenn, Amor
History
Design and Tradition: A short account of the principles and historic development of architecture and the applied arts
Fenn, Amor
Architecture; Art; Decoration and ornament; Decoration and ornament -- History
The width of the plinth is one and a third diameter.
The height of half a diameter does not include the top fillet. The
proportions may be approximated by dividing the height into four. One of
these parts will be the height of the plinth, another that of the large
torus and its fillet, the third--the upper edge of fillet of top scotia,
and the fourth that of the upper scotia and torus with the intervening
fillet. Vertically the uppermost fillet is in alignment with that of the
upper scotia, and the extremity of the upper torus with the small bead
mouldings dividing this from the lower scotia.
Although this is the orthodox Corinthian base, it is not used as
frequently as the Ionic type, but when the order is on a large scale the
more elaborate version is justified.
_The Arch_
When the arch is used in conjunction with the column it is supported on
pilasters which are attached to the columns. The columns and pilasters
thus form piers.
In the Doric order the columns are placed five diameters apart from
centre to centre, in the Ionic five and a quarter, and in the Corinthian
five and a half.
The necking moulding of the capital is generally carried through above
the arch, the outer line of which is struck so as to nearly touch the
underside.
The projection of the pilasters which carry the arch is half a diameter
from the outer lines of the column, and is measured on the same level as
the springing point of the arch.
The centre from which the arch is struck is sometimes in the same
horizontal line as the springing points, but more frequently a little
above the line and thereby a rather better effect is produced.
The arch-band or archivolt is the same width as the pilaster supporting
it, and a series of mouldings known as the impost is placed at the top
of the pilaster. The base of the pilaster consists of a plain plinth of
slight projection equal in height to the base of the column.
From the spacing of the columns and the proportions here given it will
be seen that the height and width of the aperture made by the arch and
pilasters are arrived at automatically, but if measured, the height will
be found to be about twice the width and the top of the impost about
two-thirds the height of the column. These proportions may be accepted
as giving satisfactory results under ordinary conditions.
As a general rule, in all the orders the impost is half a diameter high,
and so is the same as the projection of the pilaster and the width of
the archivolt.
This rule is not always adhered to, however, but in any case the width
of the archivolt should never be more than one-eighth or less than
one-tenth of the diameter of the arch, and should always be the same as
the width of the pilaster.
_Doric Impost_
The mouldings of the Doric Impost are as follows:
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account