Design and Tradition: A short account of the principles and historic development of architecture and the applied artsFenn, Amor
History
Design and Tradition: A short account of the principles and historic development of architecture and the applied arts
Fenn, Amor
Architecture; Art; Decoration and ornament; Decoration and ornament -- History
Balustrades are sometimes used above the cornice of a building, and
their height should not be more than four-fifths or less than two-thirds
the height of the entablature. This height would be exclusive of the
plinth on which the balusters are raised. The height of the plinth is
determined by the height of the building, and the projection of the
cornice, as its purpose is to raise the balusters so that they may be
seen from the ordinary point of view. The principal dies may be placed
over columns or pilasters and should be equal in width to the upper
diameters of these, though flanking half dies may be used in addition to
avoid an appearance of thinness. The plinth and capping mouldings always
follow the plan of the principal dies, and are carried in unbroken lines
across each interval.
When the height of the balustrade does not conform to the orthodox
proportions the method of determining the relative proportions is as
follows:--The height is divided into seven parts; of these one part
gives the height of the capping, four the baluster and two the plinth.
The mouldings in character and detail are the same as those of the
pedestal, and should be in harmony with the order used.
When balustrading forms part of a stair, the height on landings should
be three feet two inches. On the rake two feet ten inches from the step
at a line vertical with the face of the riser. The plinth is invariably
used as a string enclosing the ends of the steps and following the rake
or angle in a straight line, and carried to the levels by means of
curving ramps.
In interior work the bulbous shafts of balusters are often decorated
with carved detail, and the mouldings also may be enriched.
_Use of Columns_
Columns were originally used in the porticos and courts of temples and
other buildings, and sometimes to form supports for vaulted roofs.
Wherever employed their function was directly structural, but this was
not the case at the time of the Renaissance. The requirements demanded
by widely different social conditions led to their being used more as
decorative than structural features.
The use of engaged columns and pilasters in a façade can be justified to
some extent. Although such columns and pilasters may not be absolutely
essential for support, yet they act as buttresses and add to the
strength of the structure with a certain economy of material. Also they
are æsthetically satisfactory in their effect of light and shade.
_Disposition and Spacing in Colonnades_
Public-domain text, read in full here on John Shaqi.
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