Design and Tradition: A short account of the principles and historic development of architecture and the applied artsFenn, Amor
History
Design and Tradition: A short account of the principles and historic development of architecture and the applied arts
Fenn, Amor
Architecture; Art; Decoration and ornament; Decoration and ornament -- History
The disposition of columns either in a façade or a colonnade is
controlled by proportions which have been found to be desirable or are
necessitated by special features of the order itself. The latter is the
case with the Doric order, the spacing being determined by the trigylphs
and metopes. If the triglyphs are placed centrally over the columns or
pilasters the spacing of these apart will be two and a half diameters
centre to centre, three and three-quarters, or five diameters, with two,
three or four metopes respectively between them in the frieze. With the
wider spacing of five diameters it is usual to employ coupled columns to
add to the appearance of strength. As the triglyphs are one and a
quarter diameters apart centre to centre, the coupled columns are
brought very close together, entailing a slight modification of the
bases. Since the ordinary projection of the plinth of a sixth of a
diameter beyond the line of the shaft is not possible between the two
columns, the plinth-blocks are united, and the torus moulding made
slightly less in projection.
[Illustration: No. 171. Spacing of Columns.]
The capitals being less in width are not affected, a small interval is
left between the crowning reversa mouldings.
In the Ionic order the columns are spaced three and a quarter, three and
three-quarters and four and a quarter diameters centre to centre. The
coupled columns used with the wide spacing are one and a half diameters
centre to centre or half a diameter apart at the lower extremity of the
shafts.
The Corinthian spacing is slightly wider, three and a half diameters,
four diameters, or with coupled columns four and a half diameters centre
to centre. The coupled columns are placed as in the Ionic order one and
a half diameters centre to centre.
It is desirable that attention should be given to the vertical alignment
of the principal features. Dentils and modillions and indeed all
strongly marked features should centre with the columns, and be equally
spaced in the intervals.
_Orders Above Orders_
Occasionally in façades orders are used above one another. The Colosseum
is an antique Roman example of this, and it was a treatment often
adopted by the architects of the early Renaissance. It is desirable that
the simpler order should be the lower one. Ionic may be used over Doric,
or Corinthian over Ionic.
It is obvious that the central axes of the columns or pilasters of each
order used should be in vertical alignment, not only when seen from the
front, but in the case of detached columns, from the side view also.
When engaged columns or pilasters are employed, the upper tier may be
set back slightly from the face of the lower order which supports it; an
example of this is to be found in the Theatre of Marcellus at Rome.
The proportions of the upper order are obtained by making the lower
diameter of the upper tier of columns or pilasters equal to the upper
diameter of those
[Illustration: No. 172. Order above Order.]
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