Lady's maids -- Fiction; Love stories; Wessex (England) -- Fiction; Young women -- Fiction
It was a sad time for Cytherea--the last day of Springrove’s management
at Gradfield’s, and the last evening before his return from Budmouth to
his father’s house, previous to his departure for London.
Graye had been requested by the architect to survey a plot of land
nearly twenty miles off, which, with the journey to and fro, would
occupy him the whole day, and prevent his returning till late in the
evening. Cytherea made a companion of her landlady to the extent of
sharing meals and sitting with her during the morning of her
brother’s absence. Mid-day found her restless and miserable under this
arrangement. All the afternoon she sat alone, looking out of the window
for she scarcely knew whom, and hoping she scarcely knew what. Half-past
five o’clock came--the end of Springrove’s official day. Two minutes
later Springrove walked by.
She endured her solitude for another half-hour, and then could endure no
longer. She had hoped--while affecting to fear--that Edward would have
found some reason or other for calling, but it seemed that he had not.
Hastily dressing herself she went out, when the farce of an accidental
meeting was repeated. Edward came upon her in the street at the first
turning, and, like the Great Duke Ferdinand in ‘The Statue and the
Bust’--
‘He looked at her as a lover can;
She looked at him as one who awakes--
The past was a sleep, and her life began.’
‘Shall we have a boat?’ he said impulsively.
How blissful it all is at first. Perhaps, indeed, the only bliss in
the course of love which can truly be called Eden-like is that which
prevails immediately after doubt has ended and before reflection has set
in--at the dawn of the emotion, when it is not recognized by name, and
before the consideration of what this love is, has given birth to the
consideration of what difficulties it tends to create; when on the man’s
part, the mistress appears to the mind’s eye in picturesque, hazy, and
fresh morning lights, and soft morning shadows; when, as yet, she is
known only as the wearer of one dress, which shares her own personality;
as the stander in one special position, the giver of one bright
particular glance, and the speaker of one tender sentence; when, on
her part, she is timidly careful over what she says and does, lest she
should be misconstrued or under-rated to the breadth of a shadow of a
hair.
‘Shall we have a boat?’ he said again, more softly, seeing that to
his first question she had not answered, but looked uncertainly at the
ground, then almost, but not quite, in his face, blushed a series of
minute blushes, left off in the midst of them, and showed the usual
signs of perplexity in a matter of the emotions.
Public-domain text, read in full here on John Shaqi.
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