Despotism and Democracy: A Study in Washington Society and PoliticsSeawell, Molly Elliot
General
Despotism and Democracy: A Study in Washington Society and Politics
Seawell, Molly Elliot
Political fiction; Washington (D.C.) -- Fiction
Thorndyke believed--such is the folly of love--he would have known the
house even if Crane had not mentioned the number. But the number was
conclusive. It was an old-fashioned house, broad and low for a city
house. It had been the advance guard of fashion. There was a little
strip of garden and shrubbery at the side, where clipped cedars were
formally set, and three great lilac-bushes were hastening into a bloom
of purple splendour. The scent of the lilacs brought back the terrace
on Lake Como, where lilacs also grew, and where he and Constance had
spent those glowing and unforgotten hours--and by moonlight they had
often sung together the old duet from Don Pasquale, “Oh, April Night!”
Thorndyke, entranced and lost in visions, began to hum the old, old
air. What strange power of restoring the past have old songs and the
perfume of flowers long remembered! Thorndyke felt as in a dream; all
the intervening years melted away; it was once more Como, with its
moonlight, its flower-scents, its songs, its loves--and then he looked
up and saw Constance Maitland standing before him.
She had just returned from the ball--the carriage from which she
had alighted was rolling off. As she met Thorndyke face to face
on the sidewalk she started slightly, and her long white mantle
slipped from her delicate bare shoulders to the ground. Her eyes met
Thorndyke’s--everything was in that gaze except surprise. When two
persons think of each other daily for many years, the strangeness is
not in their meeting but in their separation. They had seen each other
last on a moonlit night, and the sweet scent of lilacs was in the
air--and now, after eighteen years, it was so alike!
The moonlight was merciful to them both. Neither saw all of Time’s
earmarks--Thorndyke saw none at all in Constance. Her girlish figure
was quite unchanged. Her pale yellow ball-gown, the pearls around her
throat, were youthfulness itself. She had never been remarkable for
beauty, but her face showed no lines, her silky black hair, simply
arranged, revealed none of the silver strands that were visible by
daylight. Thorndyke received a distinct shock at her youthfulness. It
was his lost Constance of the Villa Flora.
Public-domain text, read in full here on John Shaqi.
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