The rain, the cold, and the wind outside was the best possible foil for the fire-lighted and flower-scented drawing-room, into which the young negro butler ushered Thorndyke. The walls were of the delicate pale green of the sea, the rug on the polished floor was of the green of the moss. A wood fire danced and sang in a white-tiled fireplace, and laughed at its reflection in the quaint mirrors about the room, and glowed upon family portraits and miniatures on the walls. There were many old-fashioned chairs and tables, and a deep, deep sofa drawn up to the fire. By its side was a tea-table gleaming with antique silver. Like most men, Thorndyke was highly susceptible to the environment of women without being in the least able to analyse the feeling. It takes a woman to dissect an emotion thoroughly. He became at once conscious that this quaint, pretty, sparkling drawing-room was a home, and that what was in it had no connection whatever with shops for antiques and art-sale catalogues. He had often noticed with dislike the spurious antiquity of many modern drawing-rooms, which are really museums, and represent the desire of the new for the old. But Constance Maitland had inherited the furnishings which made her drawing-room beautiful and distinctive, and in process of use, especially by one family, chairs and tables and tea-kettles acquire a semi-humanity which creates that subtle and enduring thing called atmosphere. The portraits on the walls gave an inhabited look to the room--it was never without company. While Thorndyke was considering the curious fact that all the mere money in the world could not create a drawing-room like Constance Maitland’s, she herself entered the room with her slow, graceful step. She wore a gown of a delicate gray colour, which trailed upon the floor, and at her breast was a knot of pale yellow cowslips. A bowl of the same old-fashioned flowers was on the tea-table.