"I was trying to remember where I got it," Jerry said. "It doesn't
matter. The way it goes, Fate is an old man with sightless eyes,
sitting at a typewriter, pecking out the events that will happen.
Beside him is a wastebasket affair with an eternal flame in it. When
the sightless old man finishes one page he yanks it out and drops it
in the wastebasket. The flame consumes it, and as it is consumed it
becomes the reality of life."
"Say!" Phil said. "That's a darned cute idea. Writing on paper,
burning, and in the process of burning it transforms into reality by
some strange alchemy. I hope you can remember where you read that."
Lin snorted. "Maybe he wrote it himself and burned the pages as they
were finished," he suggested. He glanced at the clock on the wall. His
eyes widened in surprise. "I didn't know it was that late," he said,
rising. "I've got to get to the city before the bank closes. Have to
really step on it."
"Take it easy," Phil called after him. "Don't get killed."
"Nothing to worry about," Lin called back. "If it isn't written it
won't happen, you know."
"Don't tempt Fate!" Jerry said warningly.
But Lin was out the door beyond hearing.
* * * * *
The sign read SLOW TO 35. Lin smiled. That was for ordinary cars. His
Hudson had a low center of gravity. But he took his foot off the gas
and the uphill drag slowed his car to seventy, sixty-five, sixty, then
fifty-five as he entered the first bend of the S curve.
The pines were tall right to the edge of the shoulder, hiding what was
ahead. It was a bad gamble, he decided, but the dashboard clock told
him it was one he would have to take. Twenty-four miles to go yet and
in twenty-two minutes. Even fifty-five was going to make him late. He
edged up to fifty-eight, leaning his head over so he could see farther
around the bend of the two lane highway.
A car was coming toward him. It was over on its side of the pavement,
which was well. There was a woman in it. The color and shape of the
hat, which was about all he could really see, told him that.
The oncoming car vanished for a moment on the curve. Then it was
rushing toward him on the short stretch of straightaway between the two
curved sections of the S.
Lin relaxed. There wasn't a thing to worry about. He'd taken the first
curve easily. The oncoming car was thirty yards away, then ten. Then--
It was one of those absolutely incredible instants of time. Something
had happened to his Hudson. A blowout? A wheel off? Whatever it was, he
had veered straight toward the oncoming car.
Instinctively he turned his wheel to get back into his own lane. The
car responded by lifting into the air and turning over.
There was a brief, photographic still picture of the other car poised
at a crazy angle scant inches in front of him. He could see the girl's
features clearly, etched in lines of horror. She was nice looking. Her
eyes were wide blue pools, and there were two sharp vertical lines
between them.
Public-domain text, read in full here on John Shaqi.
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