African Americans -- Fiction; Devil -- Fiction; Short stories, American
Faster and faster flew her feet; now she curtsied, now coquetted
with a shuffling would-be partner, always keeping within the circle,
but always dancing alone, with her eyes fixed upon the object of her
jealousy.
“Go it, Crecy!” shouted the fiddler, and the music and patting grew
louder and faster—“Pea-patch Ladies,” “Chicken in the Bread-Tray,”
“Buzzard Lope,” and a score of others; then a medley of wild,
half-savage fiddling and chanting followed, and the dancers were tiring
out; but still Crecy whirled, her body swaying almost to the floor as
she spread the folds of her swelling skirts. She was dancing to the
pair, but Susanne and Jezrul were oblivious. Susanne was teaching him
a shuffle that he had never seen before, and he was beating time for
her, independent of the chanters. There was a strange light in Crecy’s
eyes, and then Lemuel tried to drag his daughter from the floor, for
the fiddler had stopped to rest, and the singers had quit from sheer
exhaustion. But with a high, resonant note she struck into a wilder
chant alone, wheeling and veering like a wounded bird.
“Look!” came the awe-struck whisper.
Still swaying and singing, every movement consorting with the rhythm of
the chant, she bared her shapely body to the waist, whirling now above
her head and now about her knees a cluster of rude castanets swung by a
leather thong.
At each revolution, accompanied by a high note in the wail, the rough
edges of the shells cut sharply into the steaming flesh.
The space was clear; every dancer had given way: they had been
dancing for a jubilee, but this dance was another thing. The spell
was irresistible; one by one the hoodoos who had been hanging on the
outskirts moved forward, first with a vibrating finger, then with a
waving arm, like the great claw of a sand-fiddler signalling from his
hole, and then the entire figures, rags and all, reeled with the horrid
song.
Only the hoodoos joined in it; the rest were dumb; and at last even
Jezrul and Susanne were conscious of the mysterious thing, and Jezrul
touched the charm he wore around his neck, and Susanne laughed softly
and nervously.
Out and in, the figures of the hoodoos turned, weaving a cabalistic
sign with that of Crecy, from whose breast and shoulders the blood was
fast trickling.
The chant and dance, if such it could be called, continued for nearly
three-quarters of an hour, when suddenly the girl raised both arms,
with a yell like that of a crazed animal, and fell upon her clattering
castanets; and the hoodoos carried her out, for Lemuel was afraid to
touch her.
* * * * *
A red glow lighted the cabin faintly. Goobers and sweet-potatoes were
roasting on the hearth, but Crecy let them burn.
Mumbling and moaning, she was busying herself with rags and sticks and
thread, for out of her rude material she was fashioning a man.
Public-domain text, read in full here on John Shaqi.
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