Devlin the BarberFarjeon, B. L. (Benjamin Leopold)
General
Devlin the Barber
Farjeon, B. L. (Benjamin Leopold)
Detective and mystery stories; English fiction -- 19th century
"What's that for?" inquired Mr. Melladew.
"I don't know, sir," replied the lad; "but there's something 'up' in
the composing-room. The men are all standing talking in a regular
fluster."
"What about?"
"Ain't got a notion, sir; but they seem regular upset."
Curious to ascertain what was going on, Mr. Melladew strolled into the
composing-room, and was struck by the sudden silence which ensued upon
his entrance. It was all the more singular because Mr. Melladew, as he
pushed the door open, heard the men speaking in excited voices, and
had half a fancy that he heard his own name uttered in tones of pity.
"Poor Melladew!" Yes, it was not a fancy. The words had been uttered
at the moment of his entrance. The silence of the compositors, their
pitying looks, confirmed it. But why should they speak of him as "poor
Melladew" at a time when life had never been so bright and fair? What
was the meaning of the pitying glances directed towards him? The
composing-room, especially on Saturdays, was a scene of lively bustle
and animation, but now the men were standing idle, stick in hand, at
the corners of their frames, or tip-toeing over their cases, and the
eyes of every man there were fixed upon Mr. Melladew. Had he been in
trouble, had his wife or one of his darling daughters been ill, his
thoughts would have immediately flown to his home, and he would have
seen in the pitying glances of the compositors a sign of some dread
misfortune; but in his happy mood he received no such impression.
"What on earth is the matter with you all?" he said in a light tone.
He saw the compositor who had snatched the slip of new matter from his
desk, and before he could be prevented he took it from the man's hand.
The compositors found their voices.
"No, Mr. Melladew!" they cried. "No; don't, don't!"
"Nonsense!" he said, and keeping possession of the slip, he left the
composing-room for his own.
"Go and get the copy," he said to the lad who had followed him.
When the lad was gone he spread the slip on the desk before him. The
first words he saw formed the title of the column he was about to
read: "Horrible Murder in Victoria Park!" Beneath it were the
sub-headings, "Stabbed to the Heart!" and "A Bunch of Blood-stained
Daisies!" To a newspaper reader such events, shocking though they be,
are unhappily no novelties, and Mr. Melladew looked down the column, I
will not say mechanically, for he was a humane man, but steadily, and
stirred no doubt by pity and indignation. But before he had got
half-way down the pulsations of his heart seemed to stop, and the
words swam before his eyes. His eyes lighted on the name of the girl
who had been murdered.
It was that of his own daughter, Lizzie Melladew!
CHAPTER III.
A SHOAL OF VISITORS FOLLOWED BY ANOTHER MYSTERY.
In an agony of horror and despair he had flown from the
printing-office to my house.
Public-domain text, read in full here on John Shaqi.
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