Devlin the BarberFarjeon, B. L. (Benjamin Leopold)
General
Devlin the Barber
Farjeon, B. L. (Benjamin Leopold)
Detective and mystery stories; English fiction -- 19th century
"You always _was_ the kindest-hearted gentleman!" she sobbed. "You
never _did_ object to being put upon, and you give away your toys that
free that all the other children used to take advantage of you. But
you didn't mind, sir, not you. Over and over agin have your blessed
father said when he was alive, 'That boy'll never git along in the
world, he's so soft!'" Mrs. Lemon's tears at this reminiscence flowed
more freely. "I can't believe, sir, no, I can't believe as time has
flown so quick since those happy, happy days!"
The happy days referred to were, of course, the days of my childhood;
and my father's prophecy, which I heard now for the first time,
respecting my future, brought a contemplative smile to my lips.
"Ah, sir," said Mrs. Lemon, with a sigh, "if we only knew when we was
well off, what a lot of troubles we shouldn't have!"
I nodded assent to this little bit of philosophy, and looked round the
room, not dreaming that in the humble apartment I was to receive a
clue to the mystery of the murder of pretty Lizzie Melladew.
CHAPTER VI.
I AM HAUNTED BY THREE EVIL-LOOKING OBJECTS IN MRS. LEMON'S ROOM.
It was plentifully furnished: stuffed chairs and couch, the latter
with a guilty air about it which seemed to say, "I am not what I
seem;" a mahogany table in the centre, upon which was an album which
had seen very much better days; ornaments on the mantelshelf, bounded
on each corner by a lustre with broken pendants; a faded green carpet
on the floor; two pictures on the walls; and on a small table near the
window a glass case with an evil-looking bird in it. The pictures were
portraits of Mr. and Mrs. Lemon in oil-colour. They appeared to have
been recently painted, and I made a remark to that effect.
"Yes, sir," said Mrs. Lemon, in a voice which struck me as being
uneasy. "They was done only a few weeks ago." And then, as though the
words were forced from her against her will, "Do you see a likeness,
sir?"
When she asked this question she was gazing at the portrait of
herself.
As a work of art, the painting was a shocking exhibition; as a
likeness, it was unmistakable.
"It is," I said, "your very image. Is the portrait of your husband--if
that is your husband hanging there----"
She interrupted me with a shudder. "_Hanging_ there, sir?"
"I mean on the wall. It _is_ a picture of Mr. Lemon, I presume."
"Yes, sir, it's him."
"Is it as faithful a portrait as your own?"
"It's as like him, sir, as two peas. Egscept----" but she suddenly
paused.
"Except what, Fanny?"
"Nothing, sir, nothing," she said hurriedly.
Public-domain text, read in full here on John Shaqi.
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