Three miles south-east of Cullompton is another church famed for its beautiful screen. The Plymtree screen is probably unique in bearing on its panels the likenesses of Henry VII, his son Prince Arthur, and Cardinal Morton. The upper part of the screen is a magnificent bit of carving. Graceful pillars rise like stems, and their lines curve outwards into the lines of palm-leaves, overspreading one another, while the arches they form are filled with most delicate tracery, supported on the slenderest shafts. Above are four rows of carving, each of different design--one a vine, with clusters of grapes, and this is repeated more heavily on the capital of a pillar in the nave. The screen must have been glorious in gold and vermilion, and gold lines cross each other, making a sort of lattice-work, with ornaments at the points of intersection--a large double rose, a little shield with the Bouchier knot, or the Stafford knot, or a very naturally carved spray of oak-leaves. Below, the panels are painted with saints and angels and bishops. The King, Prince, and Cardinal appear in a representation of the Adoration of the Three Kings, each one bringing his offering in a differently-shaped vessel. Mr Mozley, a former Rector of Plymtree, has written a most interesting pamphlet on the subject, tracing out the likeness of these portraits to other pictures or busts of the three. He points out that, whereas in most paintings of the Three Kings each has a crown, that of the foremost usually laid on the ground, in this group King Henry alone is crowned; the Cardinal has none; and the Prince, who is represented as very young, is wearing a boy's cap. Mr Mozley has searched carefully for a reason that would account for the group in this little church, and has found what seems to be a perfectly sufficient connecting link. Lord Hastings, who married the heiress of Lord Hungerford, and incidentally acquired the Manor of Plymtree, was the warm friend and political ally of Cardinal Morton. The son and successor of Lord Hastings was a close personal friend of Henry VI, and in consequence a colleague of the Cardinal, the King's chief counsellor. There is no date on the screen, but from various deductions it is believed to have been painted about the end of the fifteenth century, or a little later, and either during the lifetime or just after the death of the three subjects of the group, and of Lord Hastings. Bradninch lies a short distance to the west of Plymtree, and this church contains a very fine screen and an old and remarkable painting of the Crucifixion. It was originally placed in an aisle that was built in the reign of Henry VII by the Fraternity of St John, or the Guild of Cordwainers.