Devon, Its Moorlands, Streams and CoastsNorthcote, Rosalind
History
Devon, Its Moorlands, Streams and Coasts
Northcote, Rosalind
Devon (England)
Henry II granted to the citizens of Exeter the first of their many
charters of privileges, and in the reigns of King John and Henry III the
municipal system was very much developed, and the city first had a
Mayor. Under Edward I a beginning was made towards the almost entire
reconstruction of the Cathedral. Bishop Warelwast, the nephew of William
I, had raised the transeptal towers--a feature that no other English
cathedral possesses--and since his time the Lady Chapel had been added,
but the design of the Cathedral as a whole was evolved by Bishop Quivil.
He planned what was practically a new church, and his intentions were
faithfully carried out. Before his day the towers were merely 'external
castles,' but Bishop Quivil broke down their inner walls, and filled the
space with lofty arches, and the towers became transepts. Bishop
Stapledon spent huge sums in collecting materials, but before much
progress with the work had been made he was murdered by a London mob, in
the troubled reign of Edward II; and the actual existence of much of the
building is due to Bishop Grandisson, who, sparing himself in no matter,
lavished treasure and devotion on his Cathedral. Writing to Pope John
XXII, the Bishop said 'that if the church should be worthily completed,
it would be admired for its beauty above every other of its kind within
the realms of England or France.'
One of the most beautiful features of the Cathedral is the unbroken
length of roof at the same height through nave and choir, the effect
intensified by the exquisite richness and grace of the vaulting. And the
spreading fans gain an added grace, springing as they do from that
'distinctive group of shafts' which, says Canon Edmonds, 'makes the
Exeter pillar the very type of the union of beauty and strength.' In the
central bay of the nave, on the north side, is the Minstrels' Gallery,
one of the few to be found in England. It is delicately and elaborately
sculptured, and each of the twelve angels in the niches holds a musical
instrument--a flageolet, a trumpet and two wind instruments, a tambour,
a violin, an organ, a harp, bagpipes, the cymbals, and guitars.
Public-domain text, read in full here on John Shaqi.
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