“Before me were three men marching in solemn procession, the one in the centre a tall young, reckless, bushy-headed, light-hearted Irishman, with a rusty cocked-hat under his arm, a bunch of flowers in his bosom, his curtain-rings round his neck for a gold chain, a mopstick for a white wand, tipped with an empty strawberry-pottle, bows of ribbons on his shoulders, and a great hole in his elbow; on his right was another person in burlesque solemnity, with a sash and real white wand; two others, fantastically dressed, came immediately behind, and the whole followed by characters of all descriptions, some with flags, some with staffs, and all in perfect merriment and mock gravity, adapted to some masquerade. I asked what it meant, and was told it was a procession of burgesses, headed by the Lord High Sheriff and Lord Mayor of the King’s Bench Prison, going in state to open the poll, in order to elect two members to protect their rights in the House of Commons. I returned to my room, and laughed and wept by turns! Here were a set of creatures who must have been in want and in sorrow, struggling (with a spiked wall before their eyes) to bury remembrance in the humour of a farce.” He painted the scene of the “Mock Election in Prison,” and sold it to the King for £525, after having made £321 by it in exhibition. Then he painted another comic picture, “Chairing the Member,” for which he got £422, beside £168 by exhibition. A third humorous picture was “Punch and Judy.” But though he made money by these paintings in the style of Hogarth, he hated doing them. His soul soared to High Art. “At the table of Mr. Wyatt,” says the Rev. J. Richardson in his _Recollections_ (London, 1856), I met the late Mr. Haydon, the artist, with whom I had been previously acquainted. Haydon was undoubtedly a man of considerable talent, but of insatiable vanity. He had concentrated in his own estimation of his merits those atoms of admiration that ought to have been diffused among the general community, who were certainly somewhat slow in recognizing the claims which he was continually urging; indeed, they were far too slow to satisfy his craving for applause, and for a slice or two of that solid pudding which many people value much more than empty praise. The consequence was that he was continually indulging in querulous complaint and bitter vituperation; everybody was rewarded except himself; nobody but himself had any merit or capacity or feeling for Art. All the world were fools; he was the little bit of leaven that was to bring the solid lump into fermentation; the one wise man whose presence rescued the mass of mankind from unqualified insignificance and fatuity. This inordinate vanity overlaid the many good qualities which he possessed, blinded his perspicuity, and perverted his judgment.”