"As president of her college she wished me to endow a chair of Philology
and Etymology; and to convince me of the absolute necessity of 'broader
lines' of culture in education of girls, she commented on the surprising
ignorance of some women who do not know that the abusive word 'virago'
was a valued title of intellectual honor in the fifteenth century, and
that its twin horror 'termagant' originally designated a deity. In very
respectful terms I declined her scheme, on the ground that the new
dictatorship of big wigs in orthography--the prophets of revised
language--would soon leave no etymon for students to hunt down; 'fonetik
refawm' would end that scholarly game. I tried in vain to propitiate her
by offering to provide a chair of 'Household Economics, Sanitation and
Decoration'; but she deluged me with vitriolic sarcasm, and in closing
the correspondence, I ventured to quote a crusty old critic: 'If the
stockings are blue, the petticoat must be long.'"
CHAPTER II
When a master painter, crowned with international renown, had
unsuccessfully attempted a portrait of Devota Lindsay, he turned the
canvas head down with face to the wall, and vented his irrepressible
chagrin.
"Miss Lindsay will pardon me for declining to waste any longer her
patience, and my time in finishing a picture that can be merely a pretty
mask. Despite its classic lines and exquisite coloring the locked face
you show me, no more reflects your individual mentality and emotional
potentialities than some flawless alabaster mask. If you will permit a
frank analysis, I should say your habitual expression is that of
complete, well-trained repose, impervious to shocks; and even your
eyes--if windows of your soul--are deftly curtained with a radiant mist
defying scrutiny. If you will excuse the _argot_ of your own countrymen,
should the day ever arrive when you 'let yourself go,' may I be there to
paint the real woman! I shall destroy this baffling work, retaining only
the hand and arm, which you must grant me as some solace for defeat. The
day is not distant when you will recognize your wrist and fingers in my
'Egeria' signalling Numa."
Mature womanhood very rarely preserves the fresh and dainty tints
peculiar to girlish youth, and to-night as Miss Lindsay walked slowly
down the stairs, one might well have doubted the number of years that
had rolled so tenderly, leaving no credentials to line their passage.
Her dinner dress of heliotrope chiffon was cut square at the neck,
garnished with filmy Mechlin, and around her throat she wore a broad
collar composed of three rows of large fire opals, set in delicate
Venetian network of gold wire, from the center of which hung a Maltese
cross of diamonds. In her silk girdle was fastened a bunch of
long-stemmed double white violets. The slender handle of her circular
fan was studded with opals, and the disk glowed with its iridescent
border of peacock feathers.
Public-domain text, read in full here on John Shaqi.
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