Dialogue of Comfort Against Tribulation: With Modifications To Obsolete Language By Monica StevensMore, Thomas, Saint
Religion
Dialogue of Comfort Against Tribulation: With Modifications To Obsolete Language By Monica Stevens
More, Thomas, Saint
Consolation
ANTHONY: Alas, good man--among so many of you, some good fellow
should have lent him one!
VINCENT: It needed not, as it happened, uncle. For he found out
such a shift that in his flattering he surpassed us all.
ANTHONY: Why, what said he, cousin?
VINCENT: By our Lady, uncle, not one word. But he did as I believe
Pliny telleth of Apelles the painter, in the picture that he
painted of the sacrifice and death of Iphigenia, in the making of
the sorrowful countenances of the noble men of Greece who beheld
it. He reserved the countenance of King Agamemnon her father for
the last, lest, if he made his visage before, he must in some of
the others afterward either have made the visage less dolorous than
he could, and thereby have forborne some part of his praise, or,
doing the uttermost of his craft, might have happed to make some
other look more heavily for the pity of her pain than her own
father, which would have been yet a far greater fault in his
painting. When he came, therefore, to the making of her father's
face last of all, he had spent out so much of his craft and skill
that he could devise no manner of new heavy cheer and countenance
for him but what he had made there aleady in some of the others a
much more heavy one before. And therefore, to the intent that no
man should see what manner of countenance it was that her father
had, the painter was fain to paint him holding his face in his
handkerchief!
The like pageant (in a manner) played us there this good ancient
honourable flatterer. For when he saw that he could find no words
of praise that would surpass all that had been spoken before
already, the wily fox would speak never a word. But as one who were
ravished heavenward with the wonder of the wisdom and eloquence
that my lord's grace had uttered in that oration, he set up a long
sigh with an "Oh!" from the bottom of his breast, and held up both
his hands, and lifted up his head, and cast up his eyes into the
welkin, and wept.
ANTHONY: Forsooth, cousin, he played his part very properly. But
was that great prelate's oration, cousin, at all praiseworthy? For
you can tell, I see well. For you would not, I suppose, play as
Juvenal merrily describeth the blind senator, one of the flatterers
of Tiberius the emperor, who among the rest so magnified the great
fish that the emperor had sent for them to show them. This blind
senator--Montanus, I believe they called him--marvelled at the fish
as much as any that marvelled most. And many things he spoke of it,
with some of his words directed unto it, looking himself toward his
left side, while the fish lay on his right side! You would not, I
am sure, cousin, have taken upon you to praise it so, unless you
had heard it.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account