There was a faint scent of incense in the room. A low couch, covered
with striped Oriental rugs and cushions, was drawn near the fire. Beside
it was a small carved table--everything was small--with a few devotional
books upon it, an open Bible, and a hyacinth in water. A frame, on which
some elaborate Church embroidery was stretched, kept the Bible in
countenance. The walls were draped as only young ladies, defiant of all
laws of taste or common sense, but determined on originality, can drape
them. The _portière_ alone fell all its length to the ground. The other
curtains were caught up or tweaked across, or furled like flags against
the walls above chromos and engravings, over which it was quite
unnecessary that they should ever be lowered. The pictures themselves
were mostly sentimental or religious. Leighton's "Wedded" hung as a
pendant to "The Light of the World." The small room was crowded with
tiny ornaments and brittle conceits, and mirrors placed at convenient
angles. There was no room to put anything down anywhere.
Sir Henry Verelst, when he was ushered in, large and stout and
expectant, instantly knocked over a white china mandarin whose tongue
dropped out on the carpet as he picked it up. He replaced it with awe,
tongue and all, and then, taking refuge on the hearth-rug, promenaded
his pale prawn-like eyes round the apartment to see where he could put
down his hat. But apparently there was no vacant place, for he continued
to clutch it in a tightly-gloved hand, and to stare absently in front of
him, sniffing the unmodulated sniff of solitary nervousness.
Sir Henry had a vacant face. The only change of which it was capable was
a change of colour. Under the influence of great emotion he could become
very red, instead of red, but that was all. He was a stout man, and his
feelings never got as far as the surface; they probably gave up the
attempt half way. He was feeling a great deal--for him--at this moment,
but his face was as stolid as a doll's. He had fallen suddenly and
desperately in love, bald head over red ears in love, with Madeleine,
after his own fashion, since she had shown him so decidedly that he was
dear to her on that evening a fortnight ago when he had hovered round
her in his usual "fancy free" and easy manner, merely because she was
the prettiest girl in the room. He now thought her the most wonderful
and beautiful and religious person in the world. He had been counting
the hours till he should see her again. He did not know how to bear
being kept waiting in this way; but he did not turn a hair, possibly
because there were not many to turn. He stood as if he were stuffed. At
last, after a long interval, there was a step in the passage. He sighed
copiously through his nose, and changed legs; his dull eyes turned to
the _portière_.
A French maid entered, who in broken English explained that mademoiselle
could not see monsieur. Mademoiselle had a headache. Would monsieur call
again at five o'clock?
Public-domain text, read in full here on John Shaqi.
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