John had had many heavy days, and, latterly, many days and long-drawn
nights, when it had been uphill work to bear in silence, or bear at all,
the lessons of that expensive teacher physical pain. And now pain was
past and convalescence was past, and Fate smiled, and drew from out her
knotted medley of bright and sombre colours one thread of pure
untarnished gold for John, and worked it into the pattern of his life.
Di was at Overleigh. Tall lilies had been ranged in the hall to welcome
her on her arrival. The dogs had been introduced to her at tea time.
Lindo had allowed himself to be patted, and after sniffing her dress
attentively with the air of a connoisseur, had retired with dignity to
his chair. Fritz, on the contrary, the amber-eyed dachshund, all
tail-wagging, and smiles, and saliva, had made himself cheap at once,
and had even turned over on his back, inviting friction where he valued
it most, before he had known Di five minutes.
Di was really at Overleigh. Each morning John woke up incredulous that
such a thing could be, each morning listened for her light footfall on
the stairs, and saw her come into the dining-hall, an active living
presence, through the cedar and ebony doors. There were a few other
people in the house, the sort of chance collection which poor relations,
arriving with great expectations and their best clothes, consider to be
a party. There were his aunt, Miss Fane, and a young painter who was
making studies for an Elizabethan interior, and some one else--no, more
than one, two or three others, John never clearly remembered afterwards
who, or whether they were male or female. Perhaps they were friends of
his aunt's. Anyhow, Mrs. Courtenay, who had proposed herself at her own
time, was apparently quite content. Di seemed content also, with the
light-hearted joyous content of a life that has in it no regret, no
story, no past.
John often wondered in these days whether there had ever been a time
when he had known what Di was like, what she looked like to other
people. He tried to recall her as he had seen her first at the
Speaker's; but that photograph of memory of a tall handsome girl was not
the least like Di. Di had become Di to John, not like anything or
anybody; Di in a shady hat sitting on the low wall of the bowling-green;
or Di riding with him through the forest, and up and away across the
opal moors; or, better still, Di singing ballads in the pictured
music-room in the evening, in her low small voice, that was not
considered good enough for general society, but which, in John's
opinion, was good enough for heaven itself.
The painter used to leave the others in the gallery and stroll in on
these occasions. He was a gentle, elegant person, with the pensive,
regretful air often observable in an imaginative man who has married
young. He made a little sketch of Di. He said it would not interfere, as
John feared it might, with the prosecution of his larger work.
Public-domain text, read in full here on John Shaqi.
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