British -- Italy -- Fiction; Rich people -- Fiction; Single women -- Fiction
Diana said nothing more. She was grieved and disturbed by this very
strange new development. She put down all the songs and music that were
likely to be wanted, and opened the piano, and greeted with her usual
dignified kindness the new people who came rustling in to the agitated
atmosphere. It did not seem agitated to them. Mrs. Winthrop came in all
smiles and flounces, and there was a gathering round the piano, and much
laughter and talk and consultation, as is customary on such occasions.
Diana herself did not sing except rarely. She helped to set the little
company going, over their madrigals and part-songs, and then she
withdrew, with that sensation of relief which is afforded to the mind of
the mistress of a house and chief entertainer by the happy consciousness
of having set an amusement going, by means of which her guests will
manage to entertain themselves for the rest of the night.
CHAPTER VIII.
AN EVENING PARTY.
Diana seated herself in her favourite place, in a great chair covered
with dark old velvet, which had got a bloom on it by dint of age, such
as youth sometimes has, like the _duvet_ of a purple plum. Her own dress
was made in toned white, creamy and soft, not the brilliant white of
snow, and of rich silk, which fell in heavy splendid folds. But it was
“old-fashioned” in its cut, which Sophy had deeply deplored already,
with a plain long skirt, “such as was worn three years ago!” the girl
had cried with vexation. A certain weariness was about Diana as she laid
her head back on the velvet, weariness yet satisfaction in having
settled all her people comfortably in the way of amusing themselves, and
being thus herself left free. Mr. Hunstanton was talking with Colonel
Winthrop, who was the husband of the musical lady, and two other persons
who did not care for music. Mrs. Norton, who was not musical, except in
the way of playing waltzes (of which she knew three) and one old set of
quadrilles, had taken pity upon Reginald, and had gone to the side-table
with him to play piquet, which was more amusing than patience. Diana
looked round her with a sigh of comfort, feeling that all her guests
were off her hands. The central group at the piano was the brightest
point. Mrs. Winthrop, who was a pretty young woman, and acted as
conductor, held the chief place, holding a pink forefinger in the air
instead of a baton, swaying her head, and tapping her foot according to
the measure. Around her were her troupe with their music, among whom,
most evident to Diana, was Mrs. Hunstanton, “putting in a second,” as
she had been adjured to do--and anxious to escape, Sophy singing
soprano, with the half-tearful, half-sullen look gradually melting from
her face under the charms of the madrigal; and over Sophy’s head,
holding his book high, the poor curate, who had been forced into it, and
who, with his mouth open, and his eyes wandering, added a powerful but
uncertain bass. The soft lights of the candles on the walls lighted them
Public-domain text, read in full here on John Shaqi.
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