Produced by David Widger DIARY AND NOTES OF HORACE TEMPLETON, Esq. VOL. I. DIARY AND NOTES HORACE TEMPLETON, Esq. LATE SECRETARY OF LEGATION AT-----. By Charles James Lever, Author Of “Harry Lorrequer,” “Knight Of Gwynne,” Etc. Etc. In Two Volumes. Vol. I. Second Edition. London: Chapman And Hall, 186 Strand. HORACE TEMPLETON. CHAPTER I. _Hôtel des Princes, Paris_. It is a strange thing to begin a “Log” when the voyage is nigh ended! A voyage without chart or compass has it been: and now is land in sight--the land of the weary and heart-tired! Here am I, at the Hôtel des Princes, _en route_ for Italy, whither my doctors have sentenced me! What a sad record would be preserved to the world if travellers were but to fill up, with good faith, the police formula at each stage of the journey, which asks, “the object of the tour!” How terribly often should we read the two short words--“To Die.” With what sorrowful interest would one gaze at the letters formed by a trembling hand; and yet how many would have to write them! Truly, the old Italian adage, “_Vedere Napole es poi morire_” has gained a new signification; and, unhappily, a far more real one. This same practice of physicians, of sending their patients to linger out the last hours of life in a foreign land, is, to my thinking, by no means so reprehensible as the generality of people make out. It is a theme, however, on which so many commonplaces can be strung, that common-place people, who, above all others, love their own eloquence, never weary of it. Away from his children--from his favourite haunts--from the doctors that understood his case--from his comfortable house--from the family apothecary,--such are the changes they ring; and if dying were to be done often, there would be much reason in all this. But it is not so; this same change occurs but once, and its approach brings with it a new train of thoughts and feelings from all that we have ever felt before. In that twilight hour of life, objects that have escaped our vision in the blaze of noon-day become clear and distinct; and, even to the least reflecting of minds, an increased power of perception and judgment is accorded--the _viaticum_ for the coming journey! I remember being greatly affected by the stories in the “Diary of a Physician,” when first I read them: they were powerfully written--and _so real!_ Now this is the very quality they want: they are altogether unreal. Terrific and heart-stirring as the death-bed scenes are, they are not true to nature: the vice and the virtue are alike exaggerated. Few, very few persons can bring themselves by an effort to believe that they are dying--easy as it seems, often as we talk of it, frequent as the very expression becomes in a colloquialism, it is still a most difficult process; but once thoroughly felt, there is an engrossing power, in the thought that excludes all others.’