Painters and anglers, I have remarked, are always silent, thoughtful men. Of course I would not include under this judgment such as portrait and miniature painters, who are about, as a class, the most tiresome and loquacious twaddlers that our unhappy globe suffers under. Wilkie must have been a real blessing to any man sentenced to sit for his picture: he never asked questions, seldom indeed did he answer them; he had nothing of that vulgar trick of calling up an expression in his sitter; provided the man staid awake, he was able always to catch the traits of feature, and, when he needed it, evoke the _prevailing_ character of the individual’s expression by a chance word or two. Lawrence was really agreeable--so, at least, I have always heard, for he was before my day; but I suspect it was that officious agreeability of the artist, the smartness that lies in wait for a smile or the sparkle of the eye, that he may transmit it to the panel. The great miniature painter of our day is really a specimen of a miniature intelligence--the most incessant little driveller of worse than nothings: the small gossip that is swept down the back-stairs of a palace, the flat commonplaces of great people, are his stock-in-trade: the only value of such contributions to history is, that they must be true. None but kings could be so tiresome! I remember once sitting to this gentleman, when only just recovering from an illness, and when possibly I endured his forced and forty-horse power of small talk with less than ordinary patience. He had painted nearly every crowned head in Europe--kings, kaisers, archdukes, and grand-duchesses in every principality, from the boundless tracts of the Czar’s possessions, to those states which emulate the small green turf deposited in a bird’s cage. Dear me! how wearisome it was to hear him recount the ordinary traits that marked the life of great people, as if the greatest Tory of us all ever thought Kings and Queens were anything but men and women!