TRANSCRIBER NOTES: Underscores at the start and end of a word indicate that the word appears in italics in the original. Example: _SECOND EDITION_ Equal signs at the start and end of a word indicate that the word appears as bold in the original. Example: =SECOND EDITION= Footnotes have been moved to immediately below the paragraph in which the reference appears. Additional Transcriber Notes can be found at the end of this project. DICKENS AND HIS ILLUSTRATORS [Illustration: "And so as Tiny Tim observed, God bless us every one!" Charles Dickens] PLATE I CHARLES DICKENS From a scarce Lithograph by SOL. EYTINGE, JUNR. This Portrait was published during the Novelist's last visit to America (1867-68), by Fields, Osgood & Co., of Boston, their advertisement describing it as "an Authentic Portrait of Charles Dickens, drawn on stone by S. Eytinge, Jr., whose Illustrations of Dickens's Novels have been so popular." The late Mr. J. R. Osgood did not recall any actual sitting for the Portrait, but remembers that Eytinge often saw Dickens while making the drawing. The impression from which the present reproduction was made is particularly interesting on account of the quotation from "A Christmas Carol" in the autograph of Dickens. _Lent by Mr. Stuart M. Samuel._ DICKENS AND HIS ILLUSTRATORS CRUIKSHANK, SEYMOUR, BUSS, "PHIZ," CATTERMOLE LEECH, DOYLE, STANFIELD, MACLISE, TENNIEL FRANK STONE, LANDSEER, PALMER, TOPHAM MARCUS STONE, AND LUKE FILDES BY FREDERIC G. KITTON AUTHOR OF "CHARLES DICKENS BY PEN AND PENCIL," ETC. WITH TWENTY-TWO PORTRAITS AND FACSIMILES OF SEVENTY ORIGINAL DRAWINGS NOW REPRODUCED FOR THE FIRST TIME _SECOND EDITION_ LONDON GEORGE REDWAY 1899 TO CHARLES DICKENS'S DAUGHTER KATE PERUGINI THESE NOTES UPON THE ILLUSTRATIONS TO HER FATHER'S WRITINGS _are respectfully dedicated_ BY THE AUTHOR PREFACE In the matter of pictorial embellishment, the writings of Charles Dickens may be regarded as occupying a unique position. The original issues alone present a remarkable array of illustrations; and when we remember the innumerable engravings specially prepared for subsequent editions, as well as for independent publication, we are fain to confess that, in this respect at least, the works of "Boz" take precedence of those of any other novelist. These designs, too, are of particular interest, inasmuch as they are representative of nearly every branch of the art of the book-illustrator; both the pencil of the draughtsman and the needle of the etcher have been requisitioned, while the brush of the painter has depicted for us many striking scenes culled from the pages of Dickens.