Dickens, Charles, 1812-1870 -- Homes and haunts -- England; England -- Description and travel
Dover, besides giving a local habitation to David's aunt, is associated
with _The Tale of Two Cities_, since it was here that Mr. Lorry made the
startling revelation to Miss Manette that her father had been "Recalled
to Life". The vignette of eighteenth-century Dover is executed with true
Dickensian verve:
[Illustration: CHALK CHURCH]
"The little narrow, crooked town of Dover hid itself away from the
beach, and ran its head into the chalk cliffs like a marine
ostrich. The beach was a desert of heaps of sea and stones tumbling
wildly about, and the sea did what it liked, and what it liked was
destruction. It thundered at the town, and thundered at the cliffs,
and brought the coast down, madly. The air among the houses was of
so strong a piscatory flavour that one might have supposed sick
fish went up to be dipped in it, as sick people went down to be
dipped in the sea. A little fishing was done in the port, and a
quantity of strolling about by night, and looking seaward:
particularly at those times when the tide made, and was near flood.
Small tradesmen, who did no business whatever, sometimes
unaccountably realized large fortunes, and it was remarkable that
nobody in the neighbourhood could endure a lamplighter."
It was to Dover that Dickens went when he was labouring with unusual
difficulty over _Bleak House_, and lamenting his inability to "grind
sparks out of this dull anvil". At Dover, on his Second Series of
Readings, he found "the audience with the greatest sense of humour", and
"they laughed with such really cordial enjoyment, when Squeers read the
boy's letters, that the contagion" was irresistible even to Dickens
himself.
Deal, as it was in 1853, is rapidly but vigorously sketched in chapter
xlv of _Bleak House_. Esther Summerson arrives from a night journey by
coach, eager and anxious to help, if possible, Richard Carstone, the
unhappy victim of the fatal chancery lawsuit:
Public-domain text, read in full here on John Shaqi.
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