That's why Mabel has just gone to Kittie's home for a few days. She and
Kittie are to be flower-maids at Josephine's wedding. I hope it is not
necessary for me to explain to my intelligent readers that her husband
will be George Morgan. Kittie says he confessed the whole thing to
Josephine, and she forgave him, and said she would marry him anyhow; but
she explained that she only did it on Kittie's account. She said she did
not know to what lengths the child might go next.
So my young friends have gone to mingle in scenes of worldly gayety,
and I sit here in the twilight looking at the evening star and writing
about love. How true it is that the pen is mightier than the sword!
Gayety is well in its place, but the soul of the artist finds its
happiness in work and solitude. I hope Josephine will realize, though,
why I cannot describe her wedding. Of course no artist of delicate
sensibilities could describe a wedding when she hadn't been asked to it.
Poor Josephine! It seems very, very sad to me that she is marrying thus
late in life and only on Kittie's account. Why, oh, why could she not
have wed when she was young and love was in her heart!
The Wizard's Touch
BY ALICE BROWN
Jerome Wilmer sat in the garden, painting in a background, with the
carelessness of ease. He seemed to be dabbing little touches at the
canvas, as a spontaneous kind of fun not likely to result in anything
serious, save, perhaps, the necessity of scrubbing them off afterwards,
like a too adventurous child. Mary Brinsley, in her lilac print, stood a
few paces away, the sun on her hair, and watched him.
"Paris is very becoming to you," she said at last.
"What do you mean?" asked Wilmer, glancing up, and then beginning to
consider her so particularly that she stepped aside, her brows knitted,
with an admonishing,
"Look out! you'll get me into the landscape."
"You're always in the landscape. What do you mean about Paris?"
"You look so--so travelled, so equal to any place, and Paris in
particular because it's the finest."
Other people also had said that, in their various ways. He had the
distinction set by nature upon a muscular body and a rather small head,
well poised. His hair, now turning gray, grew delightfully about the
temples, and though it was brushed back in the style of a man who never
looks at himself twice when once will do, it had a way of seeming
entirely right. His brows were firm, his mouth determined, and the close
pointed beard brought his face to a delicate finish. Even his clothes,
of the kind that never look new, had fallen into lines of easy use.
"You needn't guy me," he said, and went on painting. But he flashed his
sudden smile at her. "Isn't New England becoming to me, too?"
Public-domain text, read in full here on John Shaqi.
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