Marshby straightened under the blow. It hit harder, as Jerome meant it
should, than any verbal rallying. It sent the man back over his own
life to the first stumble in it.
"I want you to look as if you heard drums and fife," Jerome explained,
with one of his quick smiles, that always wiped out former injury.
But the flush was not yet out of Marshby's face, and he answered,
bitterly, "I might run."
"I don't mind your looking as if you'd like to run and knew you
couldn't," said Jerome, dashing in strokes now in a happy certainty.
"Why couldn't I?" asked Marshby, still from that abiding scorn of his
own ways.
"Because you can't, that's all. Partly because you get the habit of
facing the music. I should like--" Wilmer had an unconsidered way of
entertaining his sitters, without much expenditure to himself; he
pursued a fantastic habit of talk to keep their blood moving, and did it
with the eye of the mind unswervingly on his work. "If I were you, I'd
do it. I'd write an essay on the muscular habit of courage. Your coward
is born weak-kneed. He shouldn't spill himself all over the place trying
to put on the spiritual make-up of a hero. He must simply strengthen
his knees. When they'll take him anywhere he requests, without buckling,
he wakes up and finds himself a field-marshal. _Voilà!_"
"It isn't bad," said Marshby, unconsciously straightening. "Go ahead,
Jerome. Turn us all into field-marshals."
"Not all," objected Wilmer, seeming to dash his brush at the canvas with
the large carelessness that promised his best work. "The jobs wouldn't
go round. But I don't feel the worse for it when I see the recruity
stepping out, promotion in his eye."
After the sitting, Wilmer went yawning forward, and with a hand on
Marshby's shoulder, took him to the door.
"Can't let you look at the thing," he said, as Marshby gave one backward
glance. "That's against the code. Till it's done, no eye touches it but
mine and the light of heaven."
Marshby had no curiosity. He smiled, and thereafter let the picture
alone, even to the extent of interested speculation. Mary had
scrupulously absented herself from that first sitting; but after it was
over and Marshby had gone home, Wilmer found her in the garden, under an
apple-tree, shelling pease. He lay down on the ground, at a little
distance, and watched her. He noted the quick, capable turn of her
wrist and the dexterous motion of the brown hands as they snapped out
the pease, and he thought how eminently sweet and comfortable it would
be to take this bit of his youth back to France with him, or even to
give up France and grow old with her at home.
"Mary," said he, "I sha'n't paint any picture of you this summer."
Mary laughed, and brushed back a yellow lock with the back of her hand.
"No," said she, "I suppose not. Aunt Celia spoke of it yesterday. She
told me the reason."
"What is Aunt Celia's most excellent theory?"
"She said I'm not so likely as I used to be."
Public-domain text, read in full here on John Shaqi.
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