"I'll go back and write that letter. Here is the one I wrote last
night."
He took it from his pocket, tore it in two, and gave it to her. Then he
turned away and walked with the soldier's step home. Jerome could not
look at her. He began moving back the picture.
"There!" he said, "it's finished. Better make up your mind where you'll
have it put. I shall be picking up my traps this morning."
Then Mary gave him his other surprise. Her hands were on his shoulders.
Her eyes, full of the welling gratitude that is one kind of love, spoke
like her lips.
"Oh!" said she, "do you think I don't know what you've done? I couldn't
take it from anybody else. I couldn't let him take it. It's like
standing beside him in battle; like lending him your horse, your sword.
It's being a comrade. It's helping him fight. And he _will_ fight.
That's the glory of it!"
The Bitter Cup
BY CHARLES B. DE CAMP
Clara Leeds sat by the open window of her sitting-room with her fancy
work. Her hair was done up in an irreproachable style, and her
finger-nails were carefully manicured and pink like little shells. She
had a slender waist, and looked down at it from time to time with
satisfied eyes. At the back of her collar was a little burst of chiffon;
for chiffon so arranged was the fashion. She cast idle glances at the
prospect from the window. It was not an alluring one--a row of brick
houses with an annoying irregularity of open and closed shutters.
There was the quiet rumble of a carriage in the street, and Clara Leeds
leaned forward, her eyes following the vehicle until to look further
would have necessitated leaning out of the window. There were two women
in the carriage, both young and soberly dressed. To certain eyes they
might have appeared out of place in a carriage, and yet, somehow, it was
obvious that it was their own. Clara Leeds resumed her work, making
quick, jerky stitches.
"Clara Leeds," she murmured, as if irritated. She frowned and then
sighed. "If only--if only it was something else; if it only had two
syllables...." She put aside her work and went and stood before the
mirror of her dresser. She looked long at her face. It was fresh and
pretty, and her blue eyes, in spite of their unhappy look, were clear
and shining. She fingered a strand of hair, and then cast critical
sidelong glances at her profile. She smoothed her waist-line with a
movement peculiar to women. Then she tilted the glass and regarded the
reflection from head to foot.
"Oh, what is it?" she demanded, distressed, of herself in the glass. She
took up her work again.
Public-domain text, read in full here on John Shaqi.
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