Dilemmas of Pride, (Vol 1 of 3)Loudon, Mrs. (Margracia)
General
Dilemmas of Pride, (Vol 1 of 3)
Loudon, Mrs. (Margracia)
Fiction
The eyes of the latter were, at the moment of introduction, of necessity
lifted to Alfred's face. In colour, size, and liquid lustre they
resembled her mother's; but oh, how unlike were they in their mild,
beseeching expression; and in the tremulous movement of the lids; which,
as if weighed down by their sable veil of silken lashes, hastened again
to overshadow them. The transparent cheek too, at the same instant that
the eyes were raised, had been visited by a deep blush; gifting, though
but for a fleeting instant, this beautiful, this almost too unearthly
being with the warm glow of life.
The effect on Alfred of the momentary vision was decisive of his fate.
During the dance, to which this introduction led, the snatches of most
exquisite pleasure experienced by our hero were when, by directly
addressing his partner, he could again induce her to look up. On each
such occasion, the beseeching expression already described, excited,
despite the cooler suggestions of reason, a feeling as though the gentle
appeal were addressed to him in particular. What was there so entreated
that he would not have undertaken? The most difficult feats of ancient
chivalry, nay, the impossibilities of necromancy itself, would have
seemed tasks of easy performance in such a cause! His beautiful partner
said very little; yet, from her general demeanour, and the fluttering
frequency with which her changing colour came and went, it might be
inferred that her reserve was neither that of haughtiness, nor of cold
calculation, but rather an excess of almost painful timidity. This
reserve, however, did not affect her performance of the quadrille, which
was perfect; it was the harmony of motion realized. The absolute
accordance was such that it seemed to be the influence of the musical
sounds on the undulating air, which wafted the light form, "like the
thistle-down floating on the breeze," through each evolution of the
dance. Or when called upon to quit her original position in the
quadrille for a few seconds and again return to it, such was the quiet
grace with which she executed the task, that it seemed as though the
delicate vision, fading away like Scott's White Lady of the Mist, had
but ceased for a moment to be visible, and, in a moment more, again
became palpable to sight.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account