World War, 1914-1918 -- Personal narratives, American
As the pilot gains height and distance from the field he may begin to
relax and get his geographical bearings, and it is well for him to do
so, for the strain he was under in those first thirty seconds would
exhaust him in fifteen minutes. He can then glance over his gauges and
listen to his motor. When he gets to a thousand or fifteen hundred
meters he can lean back, throttle down his motor, and count the clouds
with a freedom from worry which the motorist never knows. At the Front
of course it is different. There the pilot must make a complete study of
the whole horizon every thirty seconds to be sure of his safety from
enemy planes, meanwhile changing his course and height continually to
evade the anti-aircraft shells. Most pilots are brought down at the
Front by surprise, which again is due to lack of concentration.
Having had a pleasant flight and enjoyed the beauties of nature, it is
time to drift down to the home roost. You locate the hangars, cut your
engine down low, and strike your peaking angle. The good old machine
purrs like a kitten, the clouds whisk by, you breathe a sigh of relief
and wonder if dinner will be any better than lunch. Well, anyway, it was
a good ride. And just there is where “dat dar grimacin’ skeleton pusson
begins to rattle dem bones.” Maybe you have let the plane flatten out
its peaking angle a little and lost your velocity. Maybe the engine was
turning over a good speed because of your descent when you last noticed
it. Maybe the evening air has quieted down somewhat and it was safe
enough to drift along and settle as long as you had altitude. But now
that you are fifty meters from the ground and the _piece_ two or three
hundred meters away and you have come to horizontal flight a little and
your plane is slowly losing its speed of descent and your engine is
still throttled down too slow to even roll you along the ground—and the
sunset is beautiful—like a hole in the sidewalk, your plane gives a
sudden lurch, you jump all over and find your controls “mushy”—you slip
sideways, the ground coming at you—you jerk open the throttle—the motor,
cold from the descent, chokes a bit—you can see the grass blades red in
the sun—then she catches! God bless that motor—she booms! There is a
moment of clenched teeth while the plane wavers in its slide, and then
she bounds forward, skimming the ground, gaining speed just in time to
clear those deadly telegraph wires. With eyes set on the horizon, you
let her sink, and every nerve tense, she pulls her tail down, touches
the ground in a three-point landing like a gull on the wave. She rolls
up and stops; you take a breath and feel the color come back to your
cheeks. Slowly you raise your glasses to your forehead and undo your
belt. Slowly you raise yourself out and drop to the ground. Pensively
you wander back into the group of aviators who watched you land.
“Some landing like a duck,” says an American.
Public-domain text, read in full here on John Shaqi.
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