Dio's Rome, Volume 1: An Historical Narrative Originally Composed in Greek during the Reigns of Septimius Severus, Geta and Caracalla, Macrinus, Elagabalus and Alexander Severus: and Now Presented in English FormCassius Dio Cocceianus
History
Dio's Rome, Volume 1: An Historical Narrative Originally Composed in Greek during the Reigns of Septimius Severus, Geta and Caracalla, Macrinus, Elagabalus and Alexander Severus: and Now Presented in English Form
Cassius Dio Cocceianus
Rome -- History
Fragment XCIII 349
Fragment XCIV 349
Fragment XCV 350
Fragment XCVI 352
Fragment XCVII 353
Fragment XCVIII 353
Fragment XCIX 354
Fragment C 354
Fragment CI 357
Fragment CII 359
Fragment CIII 359
Fragment CIV 360
Fragment CV 361
Fragment CVI 366
Fragment CVII 366
Fragment CVIII 368
CONCERNING THE TRANSLATION
Cassius Dio, one of the three original sources for Roman history to be
found in Greek literature, has been accessible these many years to the
reader of German, of French, and even of Italian, but never before has
he been clothed complete in English dress. In the Harvard College
Library is deposited the fruit of a slight effort in that direction, a
diminutive volume dated two centuries back, the title page of which
(agog with queer italics) reads as follows:
THE
HISTORY
OF
DION CASSIUS
ABBRIDG'D BY XIPHILIN
CONTAINING
The most considerable Passages under the _Roman_ emperors from the
time of _Pompey_ the Great, to the Reign of _Alexander Severus_.
* * * * *
In Two Volumes
* * * * *
Done from the _Greek_, by Mr. Manning
* * * * *
Tametsi haudquaquam par gloria sequatur Scriptorem, & Authorem rerum,
tamen in primis arduum videtur res gestas scribere. Salust.
* * * * *
_London_: Printed for _A._ and _J. Churchill_, in _Paternoster Row_,
1704.
Four hundred and seven small pages, over and above the Epistle
Dedicatory, are contained in Volume One. Really, however, this is not
the true Dio at all, but merely his shadow, seized and distorted to
satisfy the ideas of his epitomizer, the monk Xiphilinus, who was
separated from him by a thousand years in the flesh and another
thousand in the spirit. Of the little specimens here and there
translated for this man's or that man's convenience no mention need
here be made. Hence, practically speaking, Dio now for the first time
emerges in his impressive stature before the English-speaking public
after there has elapsed since his own day a period twice as long as
then constituted the extent of that history which was his theme.
Public-domain text, read in full here on John Shaqi.
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