Dio's Rome, Volume 1: An Historical Narrative Originally Composed in Greek during the Reigns of Septimius Severus, Geta and Caracalla, Macrinus, Elagabalus and Alexander Severus: and Now Presented in English FormCassius Dio Cocceianus
History
Dio's Rome, Volume 1: An Historical Narrative Originally Composed in Greek during the Reigns of Septimius Severus, Geta and Caracalla, Macrinus, Elagabalus and Alexander Severus: and Now Presented in English Form
Cassius Dio Cocceianus
Rome -- History
The third section, then, extends from the beginning of Book
Seventy-two to the end of the work. Here Dio breaks away oftener than
before from his servility to the Dignity of History, only to display a
far more contemptible servility to his imperial masters. According to
his own account he stood by and passively allowed atrocities to be
multiplied about him, nor does he venture to express any forceful
indignation at the performance of such deeds. Had he protested, the
world's knowledge of Rome's degenerate tyrants would undoubtedly have
been less complete than it now is; and Dio was quite enough of an
egotist to believe that his own life and work were of paramount
importance. If we compare him unfavorably with Epictetus, we must
remember that the latter was obscure enough to be ignored.
In both the second and the third parts, that is to say throughout the
entire imperial period, Dio is conceded to have committed an error in
his point of view by making the relations of the emperor to the senate
the leading idea in his narrative and subordinating other events to
that relation. Senator as he was, he naturally magnified its
importance, and in an impartial estimate of his account one must allow
for personal bias.
Our historian's sources for the earlier part of his work are not
positively known. He has been credited with the use of Livy, of
Coelius, of Appian, and of Dionysios of Halicarnassos, but the
traces are not definite enough to warrant any dogmatic assertion.
Perhaps he knew Tacitus and perhaps Suetonius: the portrait of
Tiberius is especially good and was probably obtained from an author
of merit. But there were in existence a great multitude of books
inferior or now forgotten besides the works of the authors above
mentioned; and Dio's History in general shows no greater evidence of
having been drawn from writers whom we know than from others whom we
do not know.
Public-domain text, read in full here on John Shaqi.
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