Dio's Rome, Volume 4: An Historical Narrative Originally Composed in Greek During the Reigns of Septimius Severus, Geta and Caracalla, Macrinus, Elagabalus and Alexander Severus: and Now Presented in English FormCassius Dio Cocceianus
History
Dio's Rome, Volume 4: An Historical Narrative Originally Composed in Greek During the Reigns of Septimius Severus, Geta and Caracalla, Macrinus, Elagabalus and Alexander Severus: and Now Presented in English Form
Cassius Dio Cocceianus
Rome -- History
[-33-] Four books were then brought in and Drusus read them. In the first
were written details pertaining to his funeral; in the second all the
works which he had done, which he commanded to be inscribed aloft upon
bronze columns to be set around his heroum; the third contained
an account of military matters, of the revenues and of the public
expenditures, the amount of money in the treasuries, and everything else
of the sort having a bearing upon the administration; and the fourth had
injunctions and orders for Tiberius and for the public. Among these last
was a command that they should not liberate many slaves and should thus
avoid filing the city with a variegated rabble. He also exhorted them
not to enroll large numbers as citizens, in order that there might be a
distinct difference between themselves and subject nations; to deliver
the control of public business to all who had ability both to understand
and to act, and never to let it depend on any one person; in this way no
one would set his mind on a tyranny nor would the State go to pieces if
one fell. He advised them to be satisfied with present possessions
and under no conditions to wish to increase the empire to any greater
dimensions. It would be hard to guard, he said, and this would lead to
danger of their losing what was already theirs. This principle he had
himself really always followed not only in speech but also in action.
For, whereas he might have made great acquisitions of barbarian
territory, he had not wished to do so.--These were his injunctions.
[-34-] Then came his funeral. There was a couch made of ivory and gold
and adorned with robes of purple mixed with gold. In it his body was
hidden, in a kind of box down below: a wax image of him in triumphal
garb was displayed. This one was borne from the Palatium by the officials
for the following year, and another of gold from the senate-house, and
still another upon a triumphal chariot. Behind these came the images of
his ancestors and of his deceased relatives (except of Cæsar, because he
had been enrolled among the heroes), and those of other Romans who had
been prominent in any way, beginning with Romulus himself. An image of
Pompey the Great was also seen, and all the nations he had acquired, each
represented by a likeness which bore some local characteristic, were
carried in procession. After these followed all the remaining objects
mentioned above. When the couch had been placed in view upon the orators'
platform, Drusus read something from that place: and from the other, the
rostra of the Julian shrine, Tiberius delivered the following public
oration over the deceased, according to a decree:--
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account