Dio's Rome, Volume 6: An Historical Narrative Originally Composed in Greek During the Reigns of Septimius Severus, Geta and Caracalla, Macrinus, Elagabalus and Alexander Severus: and Now Presented in English FormCassius Dio Cocceianus
History
Dio's Rome, Volume 6: An Historical Narrative Originally Composed in Greek During the Reigns of Septimius Severus, Geta and Caracalla, Macrinus, Elagabalus and Alexander Severus: and Now Presented in English Form
Cassius Dio Cocceianus
Rome -- History
Now the barbarians took refuge in the mountains and across the Tigris in
order to perfect their preparations. But Antoninus suppressed this fact
and, assuming that he had utterly vanquished a foe whom he had not even
seen, he displayed becoming pride; and, as he himself wrote, he was
particularly gratified because a lion ran down from the mountains and
fought on his side.
[Sidenote:--2--] Not only in other ways did he live unnaturally and
transgress laws, but in his very campaigns [[lacuna] but truth; [Footnote:
Here begins the parchment codex, Vaticanus 1288. See Volume I, page 8.]
for I have run across the book written by him about it. He understood so
well how he stood with all the senators that, in spite of many protests,
their slaves and freedmen and intimate friends were arrested by him and
were asked under torture whether "so-and-so loves me" or "so-and-so
hates me." For the charts of the stars under which any of his foremost
courtiers had been born gave evidence, he said, as to who was friendly
to him and who was hostile. And on this basis he honored many persons
and destroyed many others.
[Sidenote: A.D. 217 (_a.u._ 970)] [Sidenote:--3--] When the Parthians and
the Medes, greatly enraged at the treatment they had received, equipped
a large body of troops, he fell into an ecstasy of terror. He was very
bold in threats and very reckless in daring, but very cowardly in
following a slow course involving danger, and very weak in hard labor.
He could no longer bear either great heat or armor, and consequently
wore sleeved tunics made in such a shape as more or less to resemble
breastplates. Thus having the appearance of armor without its weight he
could be safe from plots and also arouse admiration. He often used these
garments when not in battle. He wore also a cavalry cloak, now all
purple, now purple with white threads, and again of white with purple
threads, and also red. In Syria and in Mesopotamia he used Celtic
clothing and shoes. He furthermore invented a costume of his own by
cutting out cloth and stitching it up, barbaric fashion, into a kind of
cloak. He himself wore it very constantly, so that it led to his being
called Caracalla, [Footnote: A word of Celtic origin, signifying a long,
ulster-like tunic plus a hood. This was a Gallic dress.] and he
prescribed it by preference as the dress for the soldiers. The
barbarians saw what sort of person he was and also heard that his men
were enervated through their previous luxury; for, to give an instance
of their behavior, the Romans passed the winter in houses, making use of
everything belonging to their entertainers as if it were their own.
[They further perceived that their opponents had become so physically
worn and so dejected in spirit by their toils and by the hardships which
they were now undergoing that they no longer heeded the presents which
they kept receiving from their commander.] Elated, therefore, to think
Public-domain text, read in full here on John Shaqi.
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