Mexico -- History -- 1910-1946; Mexico City (Mexico) -- Social life and customs
The feature of the church is the statue of St. Anthony of Padua,
which once was among the group of _santos_ in the façade, but had
been cast down during the anti-church riots of 1857. For many years it
lay covered with mud and dust in a ditch by the Alameda. Now it is a
mass of votive offerings--_milagros_ they are called--in the shape of
hearts, limbs, etc., whatever organ had been damaged by the casualties
of earthly existence. I espied an ingenious presentment of a liver
in copper hanging in its proper anatomical place on the person of the
_santo_. The Indians have the strange habit of making their offerings
to this shrine in groupings of thirteen--thirteen candles, bouquets
containing thirteen flowers etc.--commemorative of the death of San
Antonio on the 13th of June (1531).
I can't see how the Indian is benefited by the suppression of religious
ceremonies. Gods he _must_ have. And when one comes out into the
Alameda, the sun shining on the belfries and domes of the many churches
surrounding it, filtering through the lovely foliage of the park about
which the Indian tides sweep, fixed as the laws that govern other
tides, one feels the bounteousness of the natural world, and a desire
to render thanks to _something_.
The long, narrow, flower-planted atrium of San Diego, from the early
part of the sixteenth century, flanks the charming old house where the
presses of the _Mexican Herald_ turn out world news on the site of the
Aztec market-place, or _tinquiz_. But though the outer seeming of life
is changed, I could but think me of the changelessness of the human
heart.
_Good Friday Evening._
A sickening heat was in the air all day, with a something withering
and nerve-disturbing about it, though, as the thermometer goes, the
temperature was not high.
I went early to the little near-by church of Corpus Christi. The
singing of "Dulce lignum" made me think of the great ceremonies at
St. John Lateran, and much that is no more. I returned at 2.30, when
a strange-faced priest with an "inner" look and a something burning in
his voice, a Spaniard by his accent, was finishing the "Three Hours."
Afterward, in company with Indians and black-rebozoed women, I followed
the Stations of the Cross....
_Holy Saturday._
Mexico City is one vast "rattle," the most dreadful sounds everywhere
to commemorate the holy, still day, and as for Judas, he is a legion in
himself.
The Calle de Tacuba presented a strange sight. Stretched on wires
or strings from one house to the other were bright-colored, hideous
figures, representing the _maldito_[42] dangling in grotesque attitudes
against the blue sky. On various street corners he is being burned in
effigy. Firecrackers are exploding as I write, bells are ringing from
every belfry. Grief is noisy in the tropics, even for the laying in the
tomb of the Son of Man.
Public-domain text, read in full here on John Shaqi.
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