Mexico -- History -- 1910-1946; Mexico City (Mexico) -- Social life and customs
Life goes on here quietly, as far as I am personally concerned, but
underneath it all there is the unmistakable beat and throb of changing
governments, the passing of the old order, the beginning of the new,
with all its potentialities. It is a many-colored background. I am
sending an illustrated paper of the shooting done by the mob in my
street, _La Semana Ilustrada_, which is printed at the other end
of Calle Humboldt, as is also _La Prensa_, a newspaper belonging to
Francisco Bulnes, the cleverest of the publicists here, and a star
among the intellectuals. I am between the making of history and its
annals.
The _Courrier du Mexique_ and the _Mexican Herald_ I read daily.
The _Courrier du Mexique et de l'Europe_ (_Ancien Trait d'Union_)
was founded in 1849, and has survived many vicissitudes and many
governments. Its files would make strange reading, with their
succession of political hails and farewells--or rather farewells and
hails.
Gabrielle is doing very well, though she is suffering from _Heimweh_
for Vienna. The Austrian chargé sends me accumulations of the _Neue
Freie Presse_ to sweeten what she calls "diese Mexico." The Indian
maids are almost too good to be true. There's a dusting and a sweeping
going on that would satisfy a better housewife than myself.
I am quite in love with my street--it has so much for the eye, so
much to intrigue the imagination. As I told you, just opposite is the
Finance Ministry. Endless motors belonging to the old and new régime
and the intermediate, the _Trait d'Union_ régime, fraternize in front
of it. Diagonally across is the home of Diaz's son, Porfirio, who seems
to have neither the talents nor the ambitions of his father. The house
is a very Mexican-looking affair, though not after the good old models.
It is a reddish pink, with superfluous cupolas and bay windows, all
lined with pale blue. Great vines of the magenta-colored Bougainvillea,
"the glory of Mexico," hanging everywhere, further enliven it. The tiny
triangular garden also has various obstreperous and violent-colored
botanical specimens.
A little farther down the street, however, is the real gem, for there
I perceived, in passing, storied Spanish-American life being enacted.
It's a low one-storied house with heavily grated windows, only a
couple of feet up from the street. Behind that grating I actually saw
a pink-robed señorita sitting, with a flower in her hair and a letter,
which I knew must have been a love letter, in her hand, all just as it
ought to be, as far as local color is concerned.
Public-domain text, read in full here on John Shaqi.
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