"Then," he continued, "the mood passes, the feeling alters, the picture
that a fleeting fancy has thrown upon the canvas of my view, fades, a
change comes over the spirit of my dream. I remember that I am no
longer the pious little boy praying in the synagogue of Keidan, 'a year
hence in Jerusalem.' The greater vision appears before me, the larger
ideal comes back, and Keidansky is himself again. Sometimes I am a
Zionist, but only sometimes. The rest of the time I am as strongly
opposed to it as any of you, because with all my imputed universalism I
have great hopes for my people, and because I have marked out a greater
role for Israel to play in the history of the future than being a mere
little bee building a little hive in a tiny obscure corner of the
globe."
Here the medical student protested that a man cannot be both for and
against an idea at the same time, that those who are not with us are
wrong and against us, and that Keidansky is a "long distance off"--for
he said, "scientifically analyzed"--
"Scientifically analyzed, you are a bore," Keidansky broke forth
infuriated, "and don't interrupt me when I am solving problems and
making history. Be consistent, boys, and do not ask me to be so. Give
me, at least, the right that you grant to a character in fiction, the
right to be irrational, illogical, and, above all, superbly
inconsistent. I am a character in life and nothing is so fictitious. At
times, I want to be with all, feel with all, believe with all, see the
beauties of all ideals, and also point out the great fact about
them--that they are all fatal--and yet that to be without ideals is
baneful and deadly. I cannot be partial, and that is why they expelled
me from DeLeon's Socialist Labor party. Partiality is destructive to
art, and I might have been an artist, if I had had the patience and
self-abnegation and a lot of other requisites and things.
"But to return to the larger vision, which eclipses the dreamlet of
Zionism. The Jew must not be relegated to an obscure corner of the
world, to a little platform whereupon he will recite a piece in an
unknown tongue. I want a big stage for him--the world. I want a great
play for him--all its multitudinous activities. For he is a wonderful
actor. He has versatility, illusion, imagination and dramatic power. It
is an inspiring part he plays in the world-drama. So let the play go on,
and do not ask him to waste his energies and bargain with the Sultan for
a bit of barren land that has been taken from him so long ago. He has a
bigger task to perform, a larger mission to fulfil.
Public-domain text, read in full here on John Shaqi.
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