Farther up the street was more crowded. It was Thursday afternoon. The stores were all activity and bustle, and the pedlers with their wagons and pushcarts were crying their foods and wares for "the Holy Sabbath" in quaint and singing Yiddish phrases. I was reminded by my friend that Abraham Goldfoden, the father of the Jewish stage, in one of his operettas uses a swarming, eve-of-Sabbath market-scene like this very effectively, and makes his hucksters sing beautifully of the things they have to sell. Said my guide: "Of course, in the operetta of 'The Witch' the pedlers are not so ragged and besmeared, and you cannot hear the smell of the meat and the fish, but neither can you buy and eat these things. After all, if art is beautiful, real life is quite useful. "To our people," said Keidansky, casting his eyes about, "everything here is a matter of course, and there is nothing unusual about it all. The strangest things are the strangers, who come to stare, study and wonder. In fact, the self-concentration of the Jew, probably the secret of his survival, makes this the only place in the world, the temporary Palestine, the centre of the universe. There are other places in this city, but they are only the outskirts, the suburbs of the Ghetto. There are other peoples and religions, but we are the people and ours is the faith. The flattery that children receive from their parents afterwards helps them to bear the brunt of the battle. The consciousness of his being chosen helped Israel to find his way through the dark labyrinth of the centuries. Everything here is as it should be, only a little more on the exclusive and pious European plan. This is more of the old fashioned view, but it is still extant, inasmuch as the Ghetto remains." Now we were near Bersowsky's book-store which was on the other side of the street and we stopped, facing it. A street-organ was playing in front of the strange emporium and a band of children were dancing gayly to its music. We could see the books and periodicals, phylacteries and newspapers, holy fringe-garments and sheets of Jewish music in the windows from the other side of the street. And as we came nearer we could see the very aged woman, bewigged and kerchiefed, wan, wrinkled and wry--the most familiar figure in the Ghetto--we could see her sitting on her high stool, drinking a glass of tea and selling newspapers. There were several simple prints and chromos in the window, reproductions from pictures of Jewish life. Parents blessing their children on the Day of Atonement, the Feast of Passover, high priests lighting the candles in the temple--these were their subjects. In the windows were also brass candlesticks, such as are being lighted and blessed on the eve of each Sabbath. We stood outside and mused.